Category: Entertainment

ESPN’s much-discussed streaming service finally has its launch date.

The network announced Wednesday that its direct-to-consumer service and enhanced app will debut Aug. 21. The announcement coincided with Disney’s quarterly earning report.

This week’s expanded deals with the NFL and a new partnership with WWE provides ESPN with more inventory and offerings, which it hopes will bolster the company in a landscape that is divided among cable, satellite and streaming.

Will the ESPN service result in more subscribers?

According to Nielsen, streaming usage surpassed broadcast and cable combined in U.S. television usage for the first time. Streaming was at 44.8% compared to linear’s 44.2%. When Nielsen started keeping track in May 2021 linear was at 64% compared to streaming’s 26%.

The ESPN DTC will start out with around 25 million subscribers as those currently getting ESPN+ will migrate to the new platform. Many of those though are cable and satellite subscribers who get the service through deals with their provider. ESPN is hoping that more cord cutters will pay up to $29.95 per month since it will offer all the ESPN networks — ESPN, ESPN2, ESPNU, SECN, ACCN, ESPNEWS, ESPN Deportes, ESPN on ABC, ESPN+, ESPN3, SECN+ and ACCNX — as well as being able to bundle NFL Network and NFL RedZone through a deal with NFL+ Premium.

Trying to determine how many of the DTC service subscribers are cord cutters will be more difficult though. Disney announced during its earnings call Wednesday that it will stop releasing ESPN streaming subscriber metrics beginning next quarter.

ESPN was in nearly 100 million households in 2013. Over the past 12 years due to cord cutting and streaming, that number has dropped to 60 million. Over the next two years, that is expected to decrease to fewer than 50 million.

What do the NFL and WWE deals mean for ESPN’s market footprint?

Live sports remains valuable property, but the NFL is the beachfront house.

For taking over NFL Network, which had also been steadily losing subscribers, ESPN gets three additional NFL games along with another outlet to air Monday night games when there are more than one, as well as the ability for its app users to get specialty highlights of their favorite players or teams. There will also be ways to access stats, betting and fantasy sports info on the app while watching games.

The WWE premium live events (they’re no longer called pay-per-views) also makes sense when ESPN takes over from Peacock next year. After all, the E in ESPN stands for entertainment. As Netflix chief content officer Bela Bajaria pointed out when it started carrying “Monday Night Raw” earlier this year, the WWE has a multigenerational and loyal fan base that will flock to whoever carries the events.

The WWE deal applies only to the U.S. though. Netflix has the rights for overseas.

Can all of this turn around ESPN’s financial outlook?

It does carry some risks. ESPN had $4.3 billion in revenue last quarter, an increase of 1% from last year, but the operating profit decreased 7% to $1 billion due to increased rights fees.

It is paying the NFL an average of $2.7 billion per year while the NBA 11-year deal that begins this upcoming season averages $2.6 billion per year. The five-year WWE deal will average $325 million per year.

This also comes at a time when the network opted out of its $550 million contract with Major League Baseball beginning next year and appears to be out of the running for Formula One rights. ESPN pays $75 million to $90 million per year under its three-year deal, but Liberty Media, which owns F1, is seeking at least $120 million for the next contract, which begins in 2026.

ESPN needs more than cable and satellite subscriber affiliate fees, which is also why it is launching a DTC product to gain more revenue. The past two years, it was been involved in prolonged negotiations with DirecTV and Spectrum before reaching deals.

How can viewers get the ESPN streaming service?

If cable and satellite subscribers already get ESPN+, they will automatically migrate to the new service. For cord cutters, there is an offer where they can get the ESPN unlimited plan with Disney+ and Hulu for $29.99/month for the first 12 months.

___

AP sports: https://apnews.com/sports

NEW YORK (AP) — Hank Hill is back and he’s the same ol’ Hank Hill, but a lot of things around him have changed.

The lovable animated hero of “King of the Hill” has returned from a 15-year lull and he isn’t sure what boba tea is, how ridesharing works and is confused by all-gender bathrooms. “What kind of food is poke?” he asks his wife, Peggy.

Hank and Peggy have returned to their hometown of Arlen, Texas — and our TV sets — but a lot has happened over the years and they’re stepping into a world they don’t always recognize.

“Hank, have things changed here more than we thought?” Peggy asks, worried, in the first new episode. “Did we make a mistake coming back?”

Hulu is definitely hoping not, reuniting many of the same writers and voice cast who turned the propane-loving, beer-sipping Hill into one of TV’s few blue-collar icons. The first 10 episodes hit Hulu on Monday.

A new ‘King of the Hill’ leader

Saladin K. Patterson, the executive producer and showrunner for the new season 14, hopes the original fans will return to see how Hill copes in the modern day.

“That’s always key because you want that core fan base to validate what you’ve done because they’re like the gatekeepers in a way,” he says. “So when they sign off and say, ‘OK, they didn’t mess it up, it’s still the same special show,’ I think other people who may be unfamiliar with it, or even on the fence, feel like, ‘OK, well, now we want to like it.’”

Viewers will learn that Hank and Peggy have been in Saudi Arabia all this time, where he served as “assistant manager in charge of Arabian propane and Arabian propane accessories.” Their son Bobby, now 21, is the chef of a “down home, German-Asian fusion” restaurant. (Sample dish: Grilled mackerel with a side of mustard pretzel.)

Hank and Peggy have retired and he happily rejoins his line of friends drinking cans of beer in an alley. Boomhauer gives him a hug and Dale has grown even more paranoid, becoming “an election-denier-denier.”

Bill has let himself go, staying indoors and living off Amazon deliveries. “I finished Netflix, Hank. Did you know that when you get to the end of Netflix, you get something called ‘a wellness check?’” Viewers in the second episode hear Tom Petty’s “Runnin’ Down a Dream,” a nice nod to the late rocker’s embrace of the show when it first appeared.

“The writers have found that balance between the vintage ‘King of the Hill’ that we adore and the new — and letting them coexist,” says Pamela Adlon, who voices Bobby.

Same gentle tone

Creators Mike Judge, the mastermind behind “Beavis and Butt-Head,” and Greg Daniels, who would go on to co-create “The Office,” helped Patterson navigate this world, which they sheparded during its first 13 seasons, airing from 1997 to 2009.

The show’s tone maintains its gentle mocking of modern life, from hipsters and their craft ales to bike lanes. Hill at one point shakes his head over modern outdoor grills having sensors and app connections: “I shouldn’t have to call technical support to make a burger.”

Patterson says the humor is grounded in real life. “I do have a barbecue grill that is Wi-Fi- and Bluetooth-enabled. I have three devices to run it, but I’m calling tech support because I have guests coming over and the meat needs to be done,” he says. “And I do think over the pandemic, my wife finished Netflix.”

While there are changes, some things are immutable. “Hank’s still going to drink beer. Dale’s still going to be a conspiracy theorist. Bill’s still going to be a lovable sad sack,” says Patterson. “Those core character things had to be the same. I had a pastor who told me one time, ‘Grown folks don’t change.’”

Viewers will see in upcoming episodes if Hank — a happy propane seller and garage tinkerer — can really ever retire and watch as Hank’s friends navigate new chapters. They’ll also explore the relationship between an adult Bobby and his parents.

“He’s of age now and it’s really kind of cool because you see the similarities and all the attributes that he took from his parents that he wasn’t even aware of when he was a boy — or didn’t want to have anything to do with — and now he’s using them to keep his business going and move himself forward,” says Adlon.

A politics-free zone

While debates have raged over where Hank Hill sits on the political spectrum, his creators argue he represents a sensible, common-sense middle. He follows the rules and does the best he can without hurting anyone.

“It’s so not a Republican or a Democratic show or an independent show. It’s all of that,” says Adlon. “There’s space in the world for everybody. It’s hard for us all to find a safe space in a common area anymore and that’s what this show really is.”

And even though the new “King of the Hill” episodes arrive during President Donald Trump’s second term, don’t expect any politics from Hank Hill.

“We want to tell relatable stories where people can see themselves in our characters or their family members in our characters,” says Patterson.

“There are enough cultural things and relationship things that have shifted to where he can comment on that without us wading into tariffs and immigration policy and stuff like that.”

LONDON (AP) — British writer Allan Ahlberg, author of more than 150 children’s books including classics like “Each Peach Pear Plum” and “The Jolly Postman,” has died, his publisher said Friday. He was 87.

Penguin Random House said Ahlberg died on Tuesday. It did not give a cause of death.

Ahlberg’s books introduced generations of young children to reading through simple rhymes, sharp observation and gentle humor. Many were co-created with his illustrator wife Janet Ahlberg, who died in 1994.

“Peepo!” (1981) gave a baby’s-eye-view of the world and was interactive in a delightfully analogue way, with peep-holes in the pages to spy the next scenes.

“The Jolly Postman” (1986) was even more inventive, incorporating postcards and letters in envelopes for children to engage with while they followed a letter-carrier delivering mail to fairy tale characters. Penguin Random House said it “pushed at the boundaries of what it is possible for a book to be.”

Ahlberg also wrote books of jokes, including “The Ha Ha Bonk Book,” and poetry for primary school-age children, including “Please Mrs. Butler” and “Heard it in the Playground.”

Born in 1938 and raised by adoptive parents in a working-class home in OIdbury, central England, Ahlberg worked as a “postman, plumber’s mate and grave digger,” according to his publisher, before becoming a teacher. He met Janet at teacher training college and the couple’s first book, “Here are the Brick Street Boys,” was published in 1975.

Then came ”’Burglar Bill” in 1977, about a burglar who steals a baby, and “Each Peach Pear Plum” in 1978, with its pages of intricately drawn nursery-rhyme characters. It won Janet the Kate Greenaway Medal for illustration, one of the most prestigious awards in children’s publishing. “The Jolly Christmas Postman” won the same prize in 1991.

“Just because a book is tiny and its readers are little doesn’t mean it can’t be perfect,” Ahlberg told The Guardian in 2006. “On its own scale, it can be as good as Tolstoy or Jane Austen.”

The couple’s work brought huge commercial success. “The Jolly Postman” has sold more than 6 million copies. The “Funnybones” series about a playful skeleton household was adapted for television.

After Janet died of cancer aged just 50, Ahlberg worked with illustrators including Raymond Briggs and his daughter, Jessica Ahlberg.

For adults, he wrote a tribute to his wife, “Janet’s Last Book,” and autobiographical volumes “The Boyhood of Burglar Bill” and “The Bucket.”

In 2014, he turned down a lifetime achievement award from the BookTrust charity because it was sponsored by Amazon, which was facing criticism over its tax arrangements.

Francesca Dow, head of children’s literature at Penguin Random House, said Ahlberg’s books have been described as “mini masterpieces.”

“He knew that making it perfect for children matters, and above all that the very best stories for children last forever,” Dow said. “Allan’s are some of the very best – true classics, which will be loved by children and families for years to come.”

Ahlberg is survived by his second wife, Vanessa Clarke, his daughter and two stepdaughters.

___

An earlier version of this story gave an incorrect title for “Each Peach Pear Plum”

BIRMINGHAM, England (AP) — The “home of metal” is honoring one of its most cherished sons.

Thousands of Black Sabbath fans were paying their respects Wednesday to frontman Ozzy Osbourne as his hearse made its way through the streets of Birmingham, the English city where he grew up and where the band was formed in 1968.

The hearse carrying Osbourne, who died last Tuesday at the age of 76, was making its way down Broad Street, the city’s major thoroughfare, to the Black Sabbath bench, which was unveiled on the Broad Street canal bridge in 2019.

“Ozzy, Ozzy, Ozzy, oi, oi, oi,” fans screamed as the hearse arrived.

Six vehicles carrying the Osbourne family, who paid for the procession, followed. The family emerged briefly, with his wife of 43 years Sharon visibly moved.

Long-time fan Antony Hunt said it has been an “emotional” day and that he wanted to be in the city to pay his respects.

“What’s amazing is there’s so many, such a wide variety of age groups, from little, little children, teenagers to people in their 60s, 70s, so it’s great to see that,” he said.

Since Osbourne’s death was announced, fans have made pilgrimages to sites around Birmingham, which has embraced its reputation as the birthplace of heavy metal. Among his peers, the singer was metal’s godfather.

“Ozzy was more than a music legend — he was a son of Birmingham,” said city official Zafar Iqbal. “We know how much this moment will mean to his fans.”

Osbourne and his Black Sabbath bandmates, Terence Butler, Tony Iommi and Bill Ward, were recently awarded the Freedom of the City in recognition of their services to Birmingham.

Black Sabbath’s story began in Birmingham in 1968 when the four original members were looking to escape a life of factory work. Without doubt, the sound and fury of heavy metal had its roots in the city’s manufacturing heritage. Osbourne never forgot his working-class roots, and his Brummie accent remained.

Black Sabbath has been widely credited with defining and popularizing the sound of heavy metal — aggressive, but full of melodies.

Osbourne was the band’s frontman during its peak period in the 1970s.

His antics, on and off stage, were legendary, and often fueled by drink and drugs. He was widely known as the “Prince of Darkness.”

The band’s eponymous debut album in 1970 made the U.K. top 10 and paved the way for a string of hit albums, including 1971’s “Master of Reality” and “Vol. 4” a year later. It went on to become one of the most influential and successful metal bands of all time, selling more than 75 million albums worldwide.

At the final show on July 5, 42,000 fans watched the band perform for the first time in 20 years at Villa Park, home of the city’s biggest soccer club, Aston Villa, with Osbourne seated on a black throne. Osbourne had been in poor health in recent years, especially after being diagnosed with Parkinson’s disease in 2019.

Osbourne, who also had a successful solo career, found a new legion of fans in the early 2000s reality show “The Osbournes” in which he starred alongside Sharon and two youngest children, Kelly and Jack.

___

Pylas contributed from London.

SAN FRANCISCO (AP) — Fans of the Grateful Dead are pouring into San Francisco for three days of concerts and festivities marking the 60th anniversary of the scruffy jam band that came to embody a city where people wore flowers in their hair and made love, not war.

Dead & Company, featuring original Grateful Dead members Bob Weir and Mickey Hart, will play Golden Gate Park’s Polo Field starting Friday with an estimated 60,000 attendees each day. The last time the band played that part of the park was in 1991 — a free show following the death of concert promoter and longtime Deadhead Bill Graham.

Certainly, times have changed.

A general admissions ticket for all three days is $635 — a shock for many longtime fans who remember when a joint cost more than a Dead concert ticket.

But Deadhead David Aberdeen is thrilled anyway.

“This is the spiritual home of the Grateful Dead,” said Aberdeen, who works at Amoeba Music in the bohemian, flower-powered Haight-Ashbury neighborhood. “It seems very right to me that they celebrate it in this way.”

Formed in 1965, the Grateful Dead is synonymous with San Francisco and its counterculture. Members lived in a dirt-cheap Victorian in the Haight and later became a significant part of 1967’s Summer of Love.

That summer eventually soured into bad acid trips and police raids, and prompted the band’s move to Marin County on the other end of the Golden Gate Bridge. But new Deadheads kept cropping up — even after iconic guitarist and singer Jerry Garcia ’s 1995 death — aided by cover bands and offshoots like Dead & Company.

“There are 18-year-olds who were obviously not even a twinkle in somebody’s eyes when Jerry died, and these 18-year-olds get the values of Deadheads,” said former Grateful Dead publicist and author Dennis McNally.

Fitting in, feeling at home

Deadheads can reel off why and how, and the moment they fell in love with the music. Fans love that no two shows are the same; the band plays different songs each time. They also embrace the community that comes with a Dead show.

Sunshine Powers didn’t have friends until age 13, when she stepped off a city bus and into the Haight-Ashbury neighborhood.

“I, all of a sudden, felt like I fit in. Or like I didn’t have to fit in,” says Powers, now 45 and the owner of tie-dye emporium Love on Haight. “I don’t know which one it was, but I know it was like, OK.”

Similarly, her friend Taylor Swope, 47, survived a tough freshman year at a new school with the help of a Grateful Dead mixtape. The owner of the Little Hippie gift shop is driving from Brooklyn, New York, to sell merchandise, reconnect with friends and see the shows.

“The sense of, ‘I found my people, I didn’t fit in anywhere else and then I found this, and I felt at home.’ So that’s a big part of it,” she said of the allure.

Magical live shows

Sometimes, becoming a Deadhead is a process.

Thor Cromer, 60, had attended several Dead shows, but was ambivalent about the hippies. That changed on March 15, 1990, in Landover, Maryland.

“That show, whatever it was, whatever magic hit,” he said, “it was injected right into my brain.”

Cromer, who worked for the U.S. Senate then, eventually took time off to follow the band on tour and saw an estimated 400 shows from spring 1990 until Garcia’s death.

Cromer now works in technology and is flying in from Boston to join scores of fellow “rail riders” who dance in the rows closest to the stage.

Aberdeen, 62, saw his first Dead show in 1984. As the only person in his college group with a driver’s license, he was tapped to drive a crowded VW Bug from Antioch College in Yellow Springs, Ohio, to Syracuse, New York.

“I thought it was pretty weird,” he said. “But I liked it.”

He fell in love the following summer, when the Dead played a venue near his college.

Aberdeen remembers rain pouring down in the middle of the show and a giant rainbow appearing over the band when they returned for their second act. They played “Comes a Time,” a rarely played Garcia ballad.

“There is a lot of excitement, and there will be a lot of people here,” Aberdeen said. “Who knows when we’ll have an opportunity to get together like this again?”

Fans were able to see Dead & Company in Las Vegas earlier this year, but no new dates have been announced. Guitarist Bob Weir is 77, and drummers Mickey Hart and Bill Kreutzmann are 81 and 79, respectively. Besides Garcia, founding members Ron “Pigpen” McKernan on keyboards died in 1973 and bassist Phil Lesh died last year at age 84.

Multiple events planned for Dead’s 60th

Mayor Daniel Lurie, who is not a Deadhead but counts “Sugar Magnolia” as his favorite Dead song, is overjoyed at the economic boost as San Francisco recovers from pandemic-related hits to its tech and tourism sectors.

“They are the reason why so many people know and love San Francisco,” he said.

The weekend features parties, shows and celebrations throughout the city. Grahame Lesh & Friends will perform three nights starting Thursday. Lesh is the son of Phil Lesh.

On Friday, which would have been Garcia’s 83rd birthday, officials will rename a street after the San Francisco native. On Saturday, visitors can celebrate the city’s annual Jerry Day at the Jerry Garcia Amphitheater located in a park near Garcia’s childhood home.

BOOM, Belgium (AP) — Fans roared in excitement and organizers sighed with relief as the Tomorrowland music festival kicked off Friday — just two days after a massive fire engulfed the main stage and threw one of Europe’s biggest summer concert events into doubt.

Workers labored around the clock to clear out the debris from the elaborate backdrop that was consumed in Wednesday’s fire.

Shouting ‘’We made it!”, the festival’s opening performers, Australian electronic music group Nervo, were able to take to the main stage Friday after a last-minute scramble and slight delay. Some charred frames were still visible behind them.

No one was hurt in the fire, organizers said. The causes are being investigated.

Hundreds of thousands of people from around the world attend Tomorrowland’s annual multi-day festival outside the Belgian town of Boom. Some 38,000 people were camping at the festival site Friday, Tomorrowland spokesperson Debby Wilmsen said.

’’Maybe there are some few people that say, OK, we would like to have a refund, but it’s only like a very small percentage because most of them are still coming to the festival,” she told AP.

“It is all about unity, and I think with a good vibe and a positive energy that our festival-goers give to each other and the music we offer, I think they will still have a good time,″ she said. ’’We really tried our best.″

Australian fans Zak Hiscock and Brooke Antoniou — who traveled half the world to see the famed festival as part of a summer holiday in Europe — described hearing about the fire.

“We were sitting having dinner when we actually heard the news of the stage burning down. We were very devastated and shattered, quite upset because we travelled a long way,” Hiscock said.

Ukrainian visitor Oleksandr Beshkynskyi shared their joy that the festival went ahead as planned.

‘’It’s not just about the one DJ or two DJs you’re looking to see, but about all the mood and about the dream being alive,” Beshkynskyi said. ___

Angela Charlton in Paris contributed.