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PAMPLONA, Spain (AP) — Bill Hillmann has been gored three times while running with the bulls in Spain, but he wouldn’t miss this year’s San Fermin festival for anything.

It marks the 100th anniversary of the publication of Ernest Hemingway ’s book “The Sun Also Rises” that launched the future Nobel Laureate to literary fame and put Pamplona on the map for millions of people around the world.

On Monday, the festival kicked off with a firework blast over a jam-packed plaza. The first of eight bull runs is on Tuesday.

Hemingway’s 1926 novel captivated generations of readers with its sexy Jazz Age tale of American and British bohemians trying to fill some inner void with the distractions of exotic travel, vast quantities of alcohol and the anguishing pursuit of impossible love.

Its success established “The Sun Also Rises” as a cornerstone of the American literary canon, right up there with F. Scott Fitzgerald’s “The Great Gatsby.” It also popularized the term “lost generation” to describe the tight-knit group of early 20th-century writers expatriated in Paris. Hemingway’s terse style forever changed American literature. In Spanish, its title is translated as “Fiesta.”

Hillmann, who hails from Chicago, was 19 when Hemingway’s vivid depiction of the bull running festival first enthralled him, especially descriptions of average Spaniards risking their lives sprinting through the streets to guide the bulls to the bull ring during the nine-day festival.

“I sat there for about six hours, well past midnight, reading the book,” Hillmann told The Associated Press in Pamplona as he looked down on the pen where the bulls are held before being set free on the cobblestoned route. “And by the time I was done with that book, I was going to be a writer and I was going to be a bull runner.”

Since that literary encounter, the 44-year-old Hillmann has run with the bulls in Spain hundreds of times, counting both his trips to Pamplona and his participation in dozens more bull runs in other Spanish towns. His infatuation with Hemingway and Pamplona has never waned, even though he nearly died one time that he was gored by a bull horn.

Hillmann’s appreciation led him to earn a doctorate in English, and now it is his turn to teach “The Sun Also Rises” at East-West University in Chicago, and write about bull running.

Americans are the biggest group of foreign bull runners

Hillmann is just one of many Americans inspired to travel to Spain to see the festival firsthand. While running with bulls is a cherished local custom for Spanish daredevils, Americans are still the leading group of foreigners who run at the San Fermin festival. In 2022, 16% of the bull runners were Americans, the largest percentage among foreigners and four times more than those from neighboring France, according to Pamplona’s City Hall.

Dallas-based tour operator Bruce Anderson, whose company “Running Of The Bulls” has helped thousands of Americans attend San Fermin over the years, says that Hemingway’s work made the festival a bucket-list destination. This year, his company is bringing 1,400 people to the festival, with over two-thirds from the United States.

“There’s a lot of energy, a lot of excitement around just remembering that book and the impact that it’s had,” said Anderson, himself a lifelong Hemingway fan. He spoke in Pamplona’s art deco Café Iruña, which features heavily as a drinking spot in “The Sun Also Rises” and today houses a life-size statue of Hemingway bellying up to the bar.

And Anderson, with his thick white beard, is something of a Hemingway look-alike. Local Spaniards often call out to him: “Papa!” – a nickname for their adopted hero.

It is impossible to avoid Hemingway in Pamplona

Hemingway is etched into the landscape of Pamplona. Hotels and bars have busts of him or signs up that he was once there. Outside the Pamplona bull ring, which also has a statue of the writer, a huge banner hangs in honor of the novel, including a quote that shows how the festival left the writer speechless: “At noon of Sunday, the 6th of July, the fiesta exploded. There is no other way to describe it.”

When Hemingway made his last visits to Pamplona, he would frequent the Perla Hotel; his suite still has furniture from the 1950s when he stayed there. The room, which overlooks the bull run route, also has two glass bookcases holding dozens of copies of “The Sun Also Rises.”

“Hemingway did a lot for Pamplona because he made it known around the world,” said Fernando Hualde, who worked for four decades as a receptionist in the hotel.

Hemingway’s legacy has become complicated over time

Hemingway’s local legacy, however, is mixed.

Beside a feminist critique of his hyper masculine public persona, Hemingway has drawn criticism from the animal rights movement for his praise of bullfighters. In “The Sun Also Rises,” he spills far more ink on descriptions of their bravery than on the bull runs.

Animal welfare activist Brook Spurling said during a protest against the San Fermin bullfights that “Hemingway wrote about many, many themes that today would not be accepted into society. He writes about hunting, about war, and we don’t want to be appreciating these themes today.”

Hualde says that some Pamplona residents rue his early promotion of the festival due to the ills of overtourism the sleepy provincial city is now experiencing.

Pamplona has 200,000 residents and receives over a million more people for the festival. While most are Spaniards, around 15% of the revelers are from abroad. And many, especially the younger visitors, follow Hemingway’s example of drinking to excess.

Some locals take pride in spots that weren’t touched by Hemingway. Local literature professor Gabriel Insausti of Pamplona’s University of Navarra recalls being in a bar with a sign that read “Hemingway was not here.”

“In general, Hemingway has become a product of a franchise associated with San Fermin festival that has obscured his novel,” Insausti said. “People know who Hemingway is, but they haven’t read his novel.”

But the power of Hemingway’s English prose lives on

Hillmann said that the high percentage of inexperienced foreigners today makes the Pamplona bull runs particularly dangerous. The last death was in 2009 but gorings and other injuries are common. Novice runners can easily panic and make a wrong move that can cause a pileup or send someone into the path of a bull.

He was badly gored in 2014 when he said a bad maneuver by a fellow runner left him exposed to a bull. He thought he was dying, such was the quantity of blood gushing from his leg.

After another goring in 2017, Hillmann told the AP from his hospital bed in Pamplona that he would not stop running. “People think this is just crazy people running. There is real art. If you pay attention, you can see it,” he said then.

Hemingway’s granddaughter, the actress Mariel Hemingway, recalls being treated “like royalty” when she attended San Fermin years ago. Mariel, who has written and spoken about her grandfather’s battles with mental illness that led to his suicide in 1961, is convinced his work will endure.

That fascination with death is likewise timeless.

“Identity, love, purpose, and how to rebuild after profound loss … those themes haven’t ever changed. That’s what’s great about my grandfather,” Mariel Hemingway told the AP from her home in Idaho.

“I think he captured something that will never go away.”

JOLIET, Ill. (AP) — The first Rolling Stones album was released in 1964. NASCAR driver Connor Zilisch was born in 2006.

Of course, when it comes to Mick Jagger and company, time seems almost irrelevant.

“No matter who you are or where you’re from or how old you are, you know who the Rolling Stones are,” Zilisch said.

Zilisch joined fellow drivers Carson Hocevar and Jesse Love for a music video as part of a collaboration between NASCAR and the Stones ahead of the band’s 25th studio album, “Foreign Tongues,” which comes out on Friday.

A custom NASCAR show car served as a listening lounge for the Stones’ new music during events at Chicago’s Navy Pier and Plaza of the Americas in the run-up to the stock car series returning to Chicagoland Speedway over the weekend.

The partnership also includes a merchandise collection featuring the band’s tongue and lips logo, along with two NASCAR-themed vinyl editions of “Foreign Tongues.”

Megan Malayter, vice president of licensing and consumer products for NASCAR, said the organization was approached by representatives of the band about working together.

“The Rolling Stones, they’re iconic, they’ve been around since 1962, and so they appeal to that generation that was there, but they have just such history, folklore, and nostalgia around them that they appeal to the younger audiences of today,” Malayter said. “So there really is amazing crossover.”

NASCAR walks a tricky line when it comes to satisfying older racing fans while appealing to its younger supporters and expanding its audience. While its older fans are likely more familiar with the Stones, who were inducted into the Rock and Roll Hall of Fame in 1989, Zilisch, Hocevar and Love are three of its younger drivers. Garrett Mitchell, a popular YouTube automotive influencer known as “Cleetus McFarland,” also was part of the video.

“I think when you look at all of those drivers, they have great personalities, very rebellious spirits and they kind of have a rock and roll nature about them, just kind of at heart,” Malayter said.

Set to “In The Stars,” the first single off “Foreign Tongues,” the music video envisions the drivers as a touring rock band.

Zilisch, 19, Love, 21, and Hocevar, 23, clown around during a photo shoot before jumping on a tour bus driven by Mitchell. The drivers play cards before stopping at a bar. Back on the bus, Hocevar, who drives the No. 77 Chevrolet for Spire Motorsports in the Cup Series, writes 77 on the face of a sleeping Zilisch in black marker.

The video ends with the drivers at the track in their fire suits, signing autographs and posing for pictures with fans.

“It was cool. It was fun,” Hocevar said. “Yeah, just nice to kind of let loose, I guess, on a video.”

Hocevar said he likes to see NASCAR try new ways to interact with potential fans.

“Yeah, they have to,” he said. “I feel like they just got to keep throwing stuff at the dartboard and hopefully something sticks here.”

Zilisch described himself as a huge music fan. He grew up listening to Foo Fighters, Linkin Park and the Red Hot Chili Peppers with his father in the car. He said he has paid more attention to the Stones’ music since he became part of NASCAR’s partnership with the band.

Filming the video, Zilisch said, was a memorable experience.

“They made us dress up like we were in the 90s and wear leather and have all this jewelry on,” he said. “It definitely was a little bit unique and outside of what I would normally be wearing but regardless it was just a cool shoot. We got to go inside this old tour bus and, you know, just kind of feel like I was back in the day even though I’ve never lived in that era of time.”

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AP auto racing: https://apnews.com/hub/auto-racing

George Clooney is returning to the Venice Film Festival this year, where he’ll be honored with a lifetime achievement award. The festival’s organizers said Monday that Clooney has been selected to receive the Golden Lion at the 83rd edition of the festival in September.

“I’ve had so many extraordinary moments in Venice. This festival is without question my favorite and to be given the Golden Lion is a tremendous honor,” Clooney said in a statement. “It also probably means I’m old, but I’ll take it.”

The star has indeed had many memorable appearances in Venice, and at the festival, including with Steven Soderbergh’s Elmore Leonard adaptation “Out of Sight,” in 1998, and his sophomore feature as a director, “Good Night, and Good Luck,” in 2005. Last year, he came with Noah Baumbach’s “Jay Kelly,” in which he plays a movie star experiencing an existential crisis in the lead-up to accepting a lifetime achievement award at an Italian film festival.

“In his triple capacity as actor, director, and producer, George Clooney is a complete and charismatic artist, impassioned and original, who has transformed a deep vocation into one of the most luminous parabolas of contemporary film,” festival director Alberto Barbera said in a statement. “A perfect combination of the star glamour of days gone by, remarkable professionalism, and modern sensitivity, the actor has crossed the genres with rare versatility.”

Venice is also where Clooney exchanged vows with then Amal Alamuddin, in 2014.

The 83rd Venice Film Festival kicks off on Sept. 2 and runs through Sept. 12.

NEW YORK (AP) — A White House report brands the leadership of the Smithsonian Institution, especially at the National Museum of American History, as radical activists who cannot be trusted, indicating that President Donald Trump may be preparing to install his own team.

The report released late on Independence Day by the White House Domestic Policy Council comes in the midst of Trump’s aggressive campaign to overhaul some of Washington’s most sacred cultural and historic institutions. Trump in March revealed his intention to force changes at the Smithsonian Institution with an executive order that targeted funding for programs that advanced “divisive narratives” and “improper ideology,” as he continued a broadside against culture he deems too liberal.

“The Smithsonian Institution, and the National Museum of American History in particular, under its current leadership and current interpretive ideology, cannot be trusted to tell America’s story honestly and in a way that is inspiring, unifying, and worthy of our great republic,” according to the report by the council, which is led by a former top Trump speechwriter.

The authors added: “As this report shows, confirmed in the words of Museum leadership, this ideological capture has moved the Museum’s mission away from straightforward historical education and scholarship toward an extreme political activism that seeks to transform our country.”

The Smithsonian did not immediately respond to requests for comment Sunday.

Historian Lonnie Bunch, the Smithsonian’s current secretary, is the first African American to lead the institution. In an unrelated interview that aired Sunday on NBC’s “Meet the Press,” Bunch said “the notion of being a more perfect union, not the perfect union, is really what motivates me.”

“I think what I want people to understand is that there is a responsibility to continue to make those aspirations available, accessible, meaningful to a whole range of people,” Bunch said. “And that, in essence, America’s greatest strength, it’s not running away from its history, but it’s understanding how that history shaped us and continues to shape us.”

Historian Anthea M. Hartig is the first woman to serve as director of National Museum of American History.

Trump’s escalating effort to force changes at the Smithsonian marks the Republican president’s latest move to transform cultural pillars of society, such as universities and art, that he considers out of step with conservative sensibilities. Trump had himself installed as chairman of the John F. Kennedy Center for the Performing Arts with the aim of overhauling programming, and his handpicked board voted to add his name to the building, only to have a federal judge later order the signage to be removed.

The administration also forced Columbia University to make a series of policy changes by threatening the Ivy League school with the loss of several hundred million dollars in federal funding.

Trump has also imposed changes on historical sites beyond Washington, including in Philadelphia, where the administration won a court ruling last week allowing it to reinstall interpretive panels that critics say whitewash the history of slavery at the site of President George Washington’s home. Advocates, academics and officials have been concerned for months that the version that complies with Trump’s order could give a history that plays down the pain in the nation’s past in favor of a more triumphant view.

Gov. Josh Shapiro, D-Pa., accused Trump and his allies of trying to “rewrite history.”

“There’s not one individual narrative that a president gets about our history,” Shapiro, a potential presidential prospect, said in an interview that aired Sunday on CNN’s “State of the Union.” “And any president should want to make sure that that full history is shared, that the American people are able to draw their own conclusions.”

Shapiro added, “If we understand where we came from, we’re going to have a better path forward.”

Trump’s Domestic Policy Council does not necessarily agree.

The National Museum of American History “confronts visitors with materials intended to undermine faith in American institutions and the longstanding shared ideals of the American people,” the council’s report said. “We must be committed to restoring truth and sanity in how American history is presented and taught.”

In seeking to fulfill Trump’s order, which he called “Restoring Truth and Sanity to American History,” the review concluded by finding that the museum “by the intention and at the direction of current Museum and Smithsonian leadership, has become subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

LOS ANGELES (AP) — The Minions have taken down “Toy Story 5″ at the July Fourth weekend box office, but not by much.

“Minions & Monsters,” the seventh film in the “Despicable Me” franchise, earned $36.4 million at the holiday weekend box office, according to studio estimates for North America. “Toy Story 5,” a juggernaut that last week beat “Supergirl,” earned an estimated $31 million.

The Minions movie, which has the devious henchlings seeking movie glory in Hollywood’s Golden Age, opened on Wednesday and earned an estimated $61.4 million in its first five days, according to studio estimates. The Minions are a popular franchise globally and “Minions & Monsters” has earned $160 million worldwide in its debut week.

Audiences looking for patriotic fare amid the United States’ 250th birthday celebration had “Young Washington” to consider; it opened in third place with nearly $21 million. The movie focuses on George Washington’s service during the French and Indian War.

That left “Supergirl” in fourth with just under $10 million at the box office, a steep 74% drop from its disappointing opening weekend.

The weekend box office was down year-over-year about 24%, according to figures compiled by Rentrak, though this summer is up from 2025 by nearly 12%. That’s due in part thanks to the low-budget Gen-Z sensations “Obsession” and “Backrooms,” which took the sixth and seventh spots, behind Steven Spielberg’s “Disclosure Day.”

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak:

1. “Minions & Monsters,” $36.4 million.

2. “Toy Story 5,” $31 million.

3. “Young Washington,” $20.8 million.

4. “Supergirl,” $9.6 million.

5. “Disclosure Day,” $6 million.

6. “Obsession,” $5.3 million.

7. “Backrooms,” $3.3 million.

8. “Jackass: Best and Last,” $2.7 million.

9. “Scary Movie,” $1.1 million.

10. “The Invite,” $800,708.

WASHINGTON (AP) — President Donald Trump joined second lady Usha Vance on her podcast where guests read picture books to children, but Trump, who is notorious for veering off script, offered a running commentary on his predecessors, his physique, and how he’s spending his time in the White House.

In Trump’s appearance on Vance’s “Storytime with the Second Lady,” podcast, which was posted online Friday, the president read “Presidents Play!” a children’s book from the White House Historical Association that features illustrations of the presidents enjoying sports and using the White House and its grounds for recreation.

Trump pretaped the appearance in mid-June in the White House’s Oval Office, where the abundant gold accents he added were supplemented for the occasion with a bald eagle stuffed animal, tables made up of stacks of oversized books and a globe made out of Legos.

When Vance asked Trump if he has much time to read for fun while serving as president, he replied that he ends up mostly reading newspapers.

“I usually read stories about myself,” Trump said.

As Trump turned through the children’s book, he made observations about past presidents, cracked some jokes, and threw in a plug for the extensive ballroom he’s building on the White House grounds.

He described Lyndon Johnson as a “tough cookie,” Ronald Reagan as a “high-quality person” and “like your father was president,” and John F. Kennedy as “the second-most good-looking president.” Left unsaid was who Trump felt was the best-looking president.

Richard Nixon, the only president to resign the office after he became embroiled in the Watergate scandal, “got himself into trouble, I guess.” Herbert Hoover, who was president during the Great Depression, was depicted in the book playing a game he made up called “Hoover Ball.”

“That worked out better for him than the economy,” Trump quipped.

Barack Obama, who has been a longtime object of Trump’s derision, was illustrated playing basketball.

Trump, calling him “Barack Hussein Obama,” said he doubted Obama was a good basketball player. He then shared that Obama’s favorite sport is golf, but added, “He won’t be in the Masters anytime soon,” referring to the professional golf tournament.

When he reached a page with a drawing of Bill Clinton running on the jogging track the former president installed at the White House, Trump remarked, “I don’t think I’ll ever do that.”

But he added that he likes Clinton “a lot.”

Trump mused about riding a horse after seeing a picture of Abraham Lincoln riding one.

“That’s great. I’d like to ride horses, too,” Trump said. “In fact, it gives me an idea, but when you fall off a horse… I’ve seen too many things happen. Falling off horses is not good.”

The solution he suggested was “A nice old horse that’s extremely slow, lazy” and that he would “maybe ride it.”

A picture of John Quincy Adams swimming in what was then the Tiber Creek that ran past the South Lawn of the White House prompted Trump to remark, “I think we’re building a beautiful ballroom on top of it.”

Some of the other presidents’ physical activity prompted some reflection on his own physique.

When he saw Gerald Ford swimming in a pool, Trump said: “I don’t know if I look good in a bathing suit. I haven’t had a bathing suit in a long time.”

William Howard Taft, who was known for his girth, “was our heaviest president,” Trump said.

“I have to be careful because I don’t want to supersede his record,” Trump said. “And a thing like that would be possible if I allowed it to happen. For all of you out there watching, keep yourself in good shape.”

In addition to encouraging young viewers to stay in shape, Trump offered a somewhat cloudy message when the second lady asked him for his advice to children on why they should celebrate the country on July 4th.

“We have a great country,” Trump said. “We have a country that, it’s on a little bit of a ledge right now. It can go one way or another, you understand that. But we’re going to make it go the other. And we’re going to make America greater than ever before.”

Seth Rogen gave Olivia Wilde a note at the end of the shoot for “The Invite.” In it, he wrote, “I love screaming at you.”

It wasn’t some toxic jab from a volatile actor to his director and co-star after a difficult shoot; They really have found a kind of magic in screaming at each other on screen, first in the Chinatown-ish “Missing Reel” episode of “The Studio,” in which Wilde plays a satirical version of herself as the crazed director, and then as a couple on the rocks in the acerbic chamber dramedy “The Invite,” which expands nationwide on July 10.

“There’s nothing precious about either of us really,” Wilde said. “There was, like, a permission speak — permission to scream — freely.”

Rogen, 44, and Wilde, 42, came up in the same class of sorts, with memorable roles on television, in the late 90s and early-aughts, that blossomed into movie stardom and, eventually, directing. But until recently, they’d only ever really crossed paths meaningfully once: At a table read for Judd Apatow’s slacker pregnancy comedy “Knocked Up” over 20 years ago. Wilde did not get the role, and they went their separate ways.

And perhaps it was for the best. “Knocked Up” might not have been the right use of Wilde and Rogen together. They seem to excel not as a traditional romantic comedy duo, but in a realm that’s more prickly, more abrasive.

In “The Invite,” tensions are already simmering between Joe (Rogen) and Angela (Wilde) when their more liberated upstairs neighbors, neighbors Pína (Penélope Cruz) and Hawk (Edward Norton), arrive for dinner, and stir things up over one booze, and a revelation-filled night.

Wilde and Rogen spoke to The Associated Press about how the cast got Wilde to act in the movie, studio productions and not taking casting too personally. Remarks have been edited for clarity and brevity.

AP: You both have been in this business long enough that I’m sure if someone says they’re thinking about you for a role, it’s ultimately flattering, but is there a part of you that wonders “Oh, do you see me like this?”

WILDE: I loved the opportunity on “The Studio” to make fun of myself, like what a thrill, and to just make fun of this business in the most loving way. I loved getting to play in that world, but there was no part of me that was like, wait a minute, do you think I’m (expletive) insane?

ROGEN: Thank God.

WILDE: Did you feel offended that I wanted you to be a sexless dad?

ROGEN: A sexless sad man? No, I got it. I give that: Sexless sad dad.

WILDE: This role was like the best of Albert Brooks and a little bit of a ‘70s Richard Dreyfuss or maybe like ’80s Richard Dreyfuss. And I felt like there is a bit of Albert Brooks and Richard Dreyfuss in you, which is high praise.

ROGEN: Hey, I can only hope.

AP: Did the actors really gang up on Olivia to get her to act in this movie as well?

ROGEN: Very much so. We overtly pressured her to do it. We had a side text chain between us where we would strategize about how to do it and how to launch a multipronged attack on her to back her into doing it. Thank God it worked. And I just kept saying no to every other option she put on the table. I literally made it impossible to hire another person because everyone else you suggested I was like, “I don’t think they’d be good at this.”

WILDE: Meryl Streep?

ROGEN: Yeah, that wouldn’t work.

WILDE: It did take encouraging because I just for whatever reason had real impostor syndrome about it because I just revere them so much. I felt capable of directing this and holding it all in place and I really felt a strong connection to the story and everything that needed to happen to make it good but the idea of jumping in the ring was intimidating. I never would have suggested myself. I’d rather die than be like, “What if it was me, you guys?”

ROGEN: I’m the exact opposite, I’m always like, “We need a tighter shot of me, I don’t think we’re featuring me enough in all this.”

WILDE: It was the best experience of my career for every reason, but certainly as an actor. I’ve never had that much fun acting. And it made me think that maybe I don’t hate it.

AP: This was inspired by a Spanish movie that has been adapted in different languages too. Is there something uniquely American about this version?

WILDE: I think so. I think that there’s an attitude about marriage in American culture that is very much very reflective of our like, can do attitude, like you’re gonna do it and you’re just gonna stick to it and you’re going to grin and bear it. There’s an American energy to that that I think is part of what keeps people in really rough places and relationships for a long time and in this version of the story, in our version, these people, if they hadn’t been confronted with this evening that the movie’s about, would have just stayed in this kind of difficult conflict-ridden kind of passive-aggressive zone probably forever because they just aren’t people who like to give up. I also think there’s an American puritanical attitude toward sex in general that we are definitely dealing with in the movie, because it’s about people who haven’t talked about sex with each other in a way that they have desperately needed to for years.

ROGEN: Felt American to me, as a Canadian, the most sex-liberal people on the planet.

AP: Your last film (“Don’t Worry Darling”) was a studio production. What did you learn from that experience?

ROGEN: They would have been way more stressed out that the movie was completely rewritten in the weeks leading to shooting. They don’t like that much.

WILDE: Working for a studio, you don’t get the opportunity to be as — this is like the most obvious statement on the planet — but typically, unless you’re Paul Thomas Anderson, I feel like you don’t get the opportunity to be as specific and, in some ways, hopefully a little bold. I think that we wouldn’t have had the same amount of creative ownership as a group and that was what made the experience so valuable. I’m very happy this wasn’t like a hundred billion dollar Sony movie.

ROGEN: We could have done it. We could find a way to spend it. You give me a budget, I will blow through it.

ANKARA, Turkey (AP) — A Turkish court on Friday ordered a comedian jailed pending trial on charges of insulting religious values and President Recep Tayyip Erdogan, after his stand‑up routine included references to him as a “dictator.”

Deniz Goktas was detained Thursday for questioning at Istanbul’s main airport on his return from a trip abroad, days after prosecutors launched an investigation into his comedy show, which had been widely viewed online. He was formally arrested following questioning by prosecutors on Friday, the state-run Anadolu Agency reported.

The routine, recorded in Istanbul last month, drew some 9.5 million views after being uploaded to YouTube on June 24. The pro‑government newspaper Sabah said dozens of viewers were offended by jokes on religion and filed complaints, prompting the investigation.

During questioning, Goktas, 32, said he had no intention of degrading religious values or insulting the president, stressing that his approach was satirical.

Asked about a quip in which he described Erdogan as having evolved from a “shy dictator” to one “confident in his identity,” the comedian said the remark reflected a topic widely debated in Turkey, according to excerpts of his testimony published by the rights‑focused news portal Bianet.

Insulting the president is a criminal offense in Turkey, punishable by up to four years in prison.

Erdogan has consolidated power during more than two decades in office, and critics say he has steadily narrowed the space for free expression. Journalists and government critics frequently face investigation, detention or prosecution.

Istanbul Mayor Ekrem Imamoglu, Erdogan’s main political rival, has been imprisoned since March last year and is on trial on corruption charges. Hundreds of mayors and other officials from the main opposition party are also under prosecution over corruption allegations while the party’s leader was deposed by a court order — moves critics say are aimed at neutralizing the party ahead of the next elections.

Erdogan’s government insists that Turkey’s courts are impartial and act independently of political pressure.

Dozens of people gathered at the courthouse in solidarity with the comedian on Friday, chanting anti‑government slogans, according to the opposition‑leaning newspaper Cumhuriyet.

PRAGUE (AP) — The Karlovy Vary International Film Festival in the Czech Republic kicked off its 60th edition with honors planned for actors Dustin Hoffman and Juliette Binoche.

Hoffman, who won the Academy Award for best actor for his role in “Kramer vs. Kramer” (1979) and “Rain Man” (1988), will be honored for his outstanding artistic contribution to world cinema on the opening night Friday.

On Saturday, Hoffman will present “The Graduate,” his big movie from 1967 that earned him his first Academy Award nomination.

Binoche, who won an Oscar for best supporting actress in “The English Patient” (1996) and a number of other prizes, will receive the same award as Hoffman at the closing ceremony on July 11.

The festival will screen three of her movies: “Certified Copy” (2010), “Three Colors: Blue” (1993) and In-I in Motion (2025).

American cinematographer Robert Richardson, who is known for his work for directors Oliver Stone, Martin Scorsese and Quentin Tarantino, will be the third guest of the festival to receive the award.

Richardson, the three-time Oscar winner for best cinematography, will introduce his feature documentary portrait “Robert Richardson: The White Devil” on Saturday.

The grand jury of the festival, which takes place in the western Czech spa town of Karlovy Vary, will consider 12 movies for the top prize, the Crystal Globe.