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Brant Taylor walked onto the stage of the Ravinia Festival’s Hunter Pavilion to rehearse for the first time since a $70 million gut renovation and noticed a huge difference.

“I found that in the previous iteration of the shell, I was having to wear protective earplugs quite a lot,” the cellist said. “There was a desire to make the stage clearer and a bit softer for us.”

The Chicago Symphony Orchestra’s summer home, about 25 miles (40 kilometers) north of the city, starts its season Saturday night with chief conductor Marin Alsop leading a program with pianist Yunchan Lim and flutist Lizzo. A crowd of up to 12,758 can fill the pavilion and lawn in Highland Park, Illinois.

Venue has hosted music for more than a century

Ravinia opened in 1904 and its first pavilion was built the following year. That one burned down in 1949 and was replaced the following year by a structure used through 2024 with only modest modifications.

A geometric Arts and Crafts style pattern found in the windows of the Martin Theatre, which dates to Ravinia’s opening, inspired the design of the stage ceiling and walls made of rigid foam clad with 3M vinyl. Threshold Acoustics consulted with Taylor and flute and piccolo player Jennifer Gunn.

“The 1950 pavilion is iconic, particularly the roof line,” Ravinia president Jeffrey Haydon said. “And so we want to have audiences return to the renovated pavilion feeling like it’s the new model version of the classic pavilion that they love.”

A total of 335,500 tickets for all events were sold for the 2025 season and 94 programs are scheduled for this summer.

The pavilion’s capacity was lowered from 3,350 to 2,840 as wider seats were installed and made compliant with the Americans with Disabilities Act. LED lights have lowered the stage temperature, and nine ventilation fans were installed to push hot air through the ceiling.

Alsop also hoped for a cooler sound.

“The amplitude — is that the right word? — of sound on stage can get very, very hot. It’s really loud sometimes and it’s especially loud in the area of the brass,” she said. “One of the big acoustical improvements that I hope they’ve addressed is trying to spread out that.”

Alsop first conducted at Ravinia in 2002 and became chief conductor in 2020. At the first rehearsal Wednesday, she led Mahler’s Sixth Symphony, a work the CSO will perform on July 23. Acoustical panels over the stage were folded up midway through the practice session, softening the brass. Overall sounds were more diffused than before, when there were hot and cold spots.

“Ravinia Festival offers their patrons many different kinds of performances from classical music to big rock bands, recitals, occasionally movie nights with the orchestra playing along,” said Michael Barnes of Lohan Architecture, the design architect for the pavilion renovation. “The stage has to be very flexible in terms of how it is configured for those different kinds of performances. So the stage walls, some of them move.”

Outdoor venues have a more relaxed atmosphere

Haydon, who became Ravinia’s president in 2020, planned the reconstruction with ideas he learned from previous outdoor venues where he worked, including the Aspen Music Festival, the Ojai Music Festival and the Caramoor Center for Music and the Arts. A women’s locker room was built for the orchestra along with piano storage, practice rooms, offices and a new music library.

“We actually dug underground,” he said. “We expanded underneath the audience area, and we also dug out the crawl space of the adjoining administrative building to grab more space.”

A private concert was scheduled for this Friday for an audience of construction workers, the design team, elected officials, donors and staff of the festival and the CSO.

Ensconced in auditoriums for much of the year, orchestras experience a different vibe when they head outdoors for the summer.

“It’s more family oriented,” Alsop said. “People come with their picnics and a lot of the musicians bring their families with them to picnic. So I think it’s a much more relaxed and receptive attitude.”

It’s a story with covered wagons and one room schoolhouses, but showrunner Rebecca Sonnenshine says the “Little House on the Prairie” remake for Netflix still speaks to today’s American dream.

The show, premiering Thursday and set in the late 1800s, follows the Ingalls family led by Charles and Caroline and their two daughters Mary and Laura — as they settle in the American frontier. It’s adapted from a series of semi-autobiographical books written by Laura Ingalls Wilder about her own family’s pioneer life. In 1974, Michael Landon co-created the TV series based on the books where he played Pa alongside Melissa Gilbert as Laura. It aired for nine seasons. In the new version, Luke Bracey plays Pa and Alice Halsey is Laura.

Sonnenshine says the same frontier spirit from back then is baked into how Americans see themselves, even today.

“This idea of rugged individualism is the cornerstone of American mythos,” Sonnenshine says. “It’s still manifesting in our lives constantly … We’re real go-getters.”

In “Little House,” we see the Ingalls family seeking land and opportunity as they move west. In real life, Sonnenshine says, those settlers often didn’t understand what they were part of.

“There was no CNN or up-to-date newspapers, telling you” what was really happening, she says. “They did not understand the politics of land ownership or these treaties that have been made or these reservations,” she said. In the show, we see Charles begin to grasp the politics at play as the family encounters the Osage Nation and their new neighbors — and keeps some of that to himself. Sonnenshine says “it’s not out of malice, exactly” but because “knowledge did not flow as freely as it does now.”

Writers made keeping key events from originals a priority

As the Ingalls family builds their new life, we’re introduced to various neighbors who help them do it. That includes an Osage family adjusting to their own new way of life as settlers claim parts of their land. Laura strikes up a friendship with an Osage girl, and there’s a mutual respect among Charles and the Osage family patriarch.

“A lot of what this show is about is getting to know people that are not like you, all kinds of different people, because once you get to know people, that’s where all the change happens,” said Sonnenshine.

Mr. Edwards, a fan favorite from the books and series, helps Pa build the family’s cabin. He’s a rugged Civil War veteran with a heart of gold — grieving the loss of his own family, finding a new one in the Ingalls.

Staying true to characters like Edwards and including key events from the source material was a priority for Sonnenshine. She and her writers made a list of “iconic moments” with a checklist to follow. “We just crossed them off as we went along. ‘OK, we’ve found a way to incorporate this’ or ‘Ma gets a chair,’ which is very important, or ‘great Pa builds a door.’” Building a door, says Sonnenshine, is “a whole chapter in a book.”

Trip Friendly, whose father Ed co-created the series with Landon and was an executive producer, controls the overall rights to the Laura Ingalls Wilder stories. He’s an executive producer on the remake, and Sonnenshine says Trip is “very passionate about telling the story of the books.”

Pa is good but not perfect

Landon’s portrayal of Pa made him arguably one of the most popular TV dads in the history of the medium. He was a devoted family man with strong morals and compassion for others.

Bracey had never watched the original which he says was beneficial to creating his own interpretation of the character.

“I didn’t feel that burden,” said Bracey. “The intimidating factor has come after making it. When I’ve told people what I’ve done, and I’ve been told how important it is to them. That’s where it’s got intimidating.”

Bracey said it’s refreshing to play a genuinely good person, who makes mistakes, but is good.

“There’s very few really good people in television and movies. I feel lots of times they have to have a dark secret or a checkered past or whatever,” he said.

Crosby Fitzgerald, who plays Ma, says that goodness is present off-screen too. “Working with Luke is incredible. He actually is like Pa in person. Just really lifted me up all the time. It’s impossible to work on a set like this, especially with this legacy, and not be uplifted by the vibe.”

Sonnenshine says Season 1 is also about Laura learning that neither of her parents are perfect, particularly Pa. She comes to understand that “he does make mistakes and that’s OK.’ And even Charles talks about that. I think that’s a more honest portrayal of fatherhood.”

Second season will add Laura’s rival

Sonnenshine most recently wrote the adaptation for the hit film “The Housemaid” starring Sydney Sweeney and Amanda Seyfried and is writing its sequel. She was also a writer on “The Boys,” which was known for its explicit language and sex and graphic violence. It’s not an exaggeration to say that writing for “Little House,” even on a streaming platform, is different.

“This is the first time I’ve ever written without using any curse words,” said Sonnenshine.

“I’ve usually done, like much darker material. So I always say, well, I’m in my family era right now.”

Filming on the show’s second season is underway. Netflix recently confirmed the addition of another popular character from the originals. Willa Dunn has been cast as Laura’s rival Nellie Oleson, whose father owns the general store.

“She’s here and she’s acting up a storm,” said Sonnenshine. “It’s really fun. People love that character. I think we’re doing a slightly different take on the character, which is also really fun. The book is our sort of touchstone and then building upon that for her and her family has been — it brings a new dynamic to the Ingalls family.”

Bonnie Tyler, the gravelly voiced, Grammy-nominated Welsh pop star whose 1983 chart-topping power ballad “Total Eclipse of the Heart” enchanted succeeding generations with its bombastic charms during solar and lunar eclipses, has died. She was 75.

Tyler died unexpectedly in a hospital in Portugal where she was being treated for an illness, her family said Thursday in a statement on her website. She was hospitalized in May in Faro, where she had a home, for emergency intestinal surgery. She had been placed in an induced coma for a period but was reportedly improving last month and expected to make a good recovery.

“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” her family said.

Tyler earned three Grammy nods and in 2013 represented Britain at the Eurovision Song Contest, where she came in 19th. She was honored as a Member of the Order of the British Empire in 2022 for her services to music by Queen Elizabeth II, thanks mainly to “Total Eclipse of the Heart,” which has had more than 1 billion streams, boosted by real eclipses in 2017 and 2024.

The song spent four weeks at No. 1, and when Stereogum reevaluated it in 2020, the music outlet declared it an “extinction-level event rendered in musical form.”

“It’s pop music as heart-pounding, chest-thumping, blood-gargling, heavens-falling passion explosion. It’s sheer spectacle. It’s fireworks and lasers and lightning and thunder. It soars and swoops and barrel-rolls,” the site said.

The song has never really gone away: it was covered by the English singer Nicki French in 1995, and the band Westlife in 2006. Cate Blanchett sang it while hitting Billy Bob Thornton with her car in 2001’s “Bandits,” it appeared in a wedding scene in 2003’s “Old School” and One Direction sang it in 2010 on a U.K. version of “The X Factor.”

Early life

Tyler was born — as Gaynor Hopkins — a coal miner’s daughter in public housing with an outside toilet in Skewen, Wales, about 7 miles (11 kilometers) outside Swansea. She grew up with three sisters and two brothers.

She adored the Beatles and her first album was “A Hard Day’s Night.” The first song she bought, at 13, was “Hippy Hippy Shake” by the Swinging Blue Jeans and she watched “Top of the Pops” religiously, according to her memoir, “Straight From the Heart.”

She would record “Top of the Pops” on a reel-to-reel two-track recorder and write down the lyrics of songs she loved. Her favorites were by Janis Joplin, Nina Simone, Tina Turner, Wilson Pickett and Otis Redding.

“I used to sing them into my hairbrush for hours and hours, and that’s how it all started for me. I fell in love with singing just from doing that. Looking back, even then my voice had a husky tone to it, but I didn’t think much of it. I thought everyone’s voices were different from each other’s,” she wrote.

In 1976 she had to have surgery to remove nodules on her throat, leaving her with that trademark vocal sound. Changing her name to Sherene Davis, she was fronting a soul band when she was discovered by talent scout Roger Bell, who brought her to London for demo sessions. Then she waited for a label until RCA said it was interested.

Under her new RCA-sanctioned name Bonnie Tyler, her debut album “The World Starts Tonight” in 1977 contained her first chart hit, “Lost in France,” and she was nominated for a breakthrough artists award at the Brit Awards. She then had a No. 3 hit in 1978 with “It’s a Heartache,” but soon drifted. She then signed with Sony and saw Meat Loaf perform “Bat Out of Hell” on the BBC. Impressed, she requested to work with Meat Loaf songwriter and producer Jim Steinman.

‘Total Eclipse of the Heart’

Steinman introduced her to his song “Total Eclipse of the Heart,” which would become the debut single for her fifth studio album, “Faster Than the Speed of Night.” He borrowed one of the song’s lyrics — “Turn around, bright eyes” — from his 1969 musical “The Dream Engine,” written when he was a student at Massachusetts’ Amherst College. He told her the song was from a prospective musical version of “Nosferatu.”

“Jim liked to put down a basic rhythm track, do nine takes of the song, choose the best one and then put the kitchen sink on there, like Phil Spector used to,” Tyler told The Guardian in 2023. “He gave me a cassette to listen to in my hotel and we both preferred take two.”

Featuring E Street Band members Roy Bittan on piano and Max Weinberg on drums, “Total Eclipse” is a rumination on lost love: “Once upon a time there was light in my life/But now there’s only love in the dark,” she sings.

The video, a staple of early-days MTV, was shot in a frightening gothic former asylum in Surrey, where the guard dogs apparently wouldn’t set foot in the rooms downstairs where they used to give people electric shock treatment. The visuals included slow-motion tossed doves, candles, dancing ninjas, dancing greasers, Tyler in frighteningly big shoulder pads, fencers, gymnasts, wind machines and shirtless boys wearing swim goggles being doused with water.

“Faster Than the Speed of Night” earned a Grammy nomination for best rock vocal performance — losing to Pat Benatar’s “Love Is a Battlefield” — and Tyler got another nod for “Total Eclipse of the Heart” in the best pop vocal performance category, losing to Irene Cara’s “Flashdance — What a Feeling.”

After the ‘Eclipse’

Tyler never reached such dizzying heights again but stayed current with such movie soundtrack singles as “Holding Out For a Hero” — from 1984’s “Footloose” — and “Here She Comes” from “Metropolis” also in 1984.

Her 2019 disc “Between the Earth and the Stars” featured duets with Rod Stewart, Cliff Richard and Status Quo’s Francis Rossi, and she ended that year performing a Vatican Christmas concert before Pope Francis.

In 2013, she switched gears to make a country-flavored record in Nashville, “Rocks and Honey,” which included the Vince Gill duet “What You Need From Me” and a little ballad called “Believe in Me,” written by American songwriter Desmond Child and British songwriters Lauren Christy and Christopher Braide. “Believe in Me” was picked to represent the United Kingdom at that year’s Eurovision Song Contest in Sweden.

“It was an absolutely wonderful atmosphere there,” she told the San Francisco Examiner in 2023. “I was being interviewed every 15, 20 minutes, and when I walked out onstage behind the British flag, I thought the roof was going to come off! It was awesome, just awesome!”

In 2017, she joined Joe Jonas’ band DNCE for a performance on the cruise ship Oasis of the Seas as part of a “Total Eclipse Cruise.” When the moon passed in front of the sun, they played “Total Eclipse of the Heart.”

Tyler was married to property developer and former Olympic judo competitor Robert Sullivan.

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Associated Press writer Brian Melley in London contributed to this report.

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This story has been corrected to reflect that Tyler was honored by Queen Elizabeth II in 2022, not 2023.