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  • Colon cancer claims the life of 43 year-old actor Chadwick Boseman

    Colon cancer claims the life of 43 year-old actor Chadwick Boseman

    The 43-year old starred in “Black Panther,” “Get On Up,” and several other Hollywood blockbuster films

    LOS ANGELES (AP) — First Chadwick Boseman slipped on the cleats of Jackie Robinson, then the Godfather of Soul’s dancing shoes, portraying both Black American icons with a searing intensity that commanded respect. When the former playwright suited up as Black Panther, he brought cool intellectual gravitas to the Marvel superhero whose “Wakanda forever!” salute reverberated worldwide.

    As his Hollywood career boomed, though, Boseman was privately undergoing “countless surgeries and chemotherapy” to battle colon cancer, his family said in a statement announcing his death at age 43 on Friday. He’d been diagnosed at stage 3 in 2016 but never spoke publicly about it.

    The cancer was there when his character T’Challa visited the ancestors’ “astral plane” in poignant scenes from the Oscar-nominated “Black Panther,” there when he first became a producer on the action thriller “21 Bridges,” and there last summer when he shot an adaptation of a play by his hero August Wilson. It was there when he played a radical Black leader — seen only in flashbacks and visions — whose death is mourned by Vietnam War comrades-in-arms in Spike Lee’s “Da 5 Bloods.”

    Boseman is survived by his wife and a parent and had no children, Fioravante said.

    Born and raised in South Carolina, where he played Little League baseball and AAU basketball, Boseman graduated from Howard University in Washington, D.C. He wrote plays, acted and directed in theater and had small roles in television before landing his breakthrough role.

    His striking portrayal of the color-line-demolishing baseball star Robinson opposite Harrison Ford in 2013′s “42” drew attention in Hollywood and made him a star. A year later, he wowed audiences as Brown in the biopic “Get On Up” which had many scenes filmed in Natchez, Mississippi.

    Boseman died on a day that Major League Baseball was celebrating Jackie Robinson day. “His transcendent performance in ‘42’ will stand the test of time and serve as a powerful vehicle to tell Jackie’s story to audiences for generations to come,” the league wrote in a tweet.

    The film’s vision of Afrofuturism and the technologically advanced civilization of Wakanda resonated with audiences, some of whom wore African attire to showings and helped propel “Black Panther” to more than $1.3 billion in global box office. It is the only Marvel Studios film to receive a best picture Oscar nomination.

    Boseman said he more easily identified with the film’s antagonist, played by Michael B. Jordan, who had been cut off from his ancestral roots: “I was born with some Killmonger in me, and I have learned to T’Challa throughout my studies,” he told AP while promoting the film.

    “It’s the place where you start. All African Americans, unless they have some direct connection, have been severed from that past. There’s things that cannot be tracked,” he continued. “You were a product, sold. So it’s very difficult as an African American to connect at some points directly to Africa. I have made that part of my search in my life. So those things were already there when I got into the role.”

    The character was last seen standing silently dressed in a black suit at Tony Stark’s funeral in “Avengers: Endgame.” A “Black Panther” sequel had been announced, and was one of the studio’s most anticipated upcoming films.

    Even at the outset of his Hollywood career, Boseman was clear-eyed about — and even skeptical of — the industry in which he would become an international star.

    “You don’t have the same exact experience as a Black actor as you do as a white actor. You don’t have the same opportunities. That’s evident and true,” he told AP while promoting “42.” “The best way to put it is: How often do you see a movie about a black hero who has a love story … he has a spirituality. He has an intellect. It’s weird to say it, but it doesn’t happen that often.”

    “Black Panther,” written and directed by Ryan Coogler, helped drive a conversation in Hollywood about the importance of featuring non-white characters in and hiring non-white filmmakers for its most high-profile films. Actor Simu Liu, starring in Marvel’s first film centered on an Asian character, tweeted: “Without Chadwick, and what he gave to his character, there is no Shang Chi. Period. My career rides on the coattails of a great man.”

    In addition to Robinson and Brown, Boseman portrayed the future U.S. Supreme Court Justice Thurgood Marshall in 2017′s “Marshall.” He humanized the larger-than-life historical figures with the same soulful, reserved dignity — interrupted by flashes of sparkling wit — that he would later bring to T’Challa.

    He took on his first producing job in last year’s action thriller “21 Bridges,” in which he also starred. Boseman completed one last performance, in a Netflix adaptation of August Wilson’s “Ma Rainey’s Black Bottom.”

    He revered the playwright famous for his depiction of the Black experience, writing in a 2013 Los Angeles Times essay: “For the songs, rituals and folklore that were lost in slavery’s middle passage, his plays are those forgotten songs remixed for the struggles of adapting to these shores … In the similar way that Wilson’s work was influenced by the blues of Bessie Smith, Muddy Waters and W.C. Handy, my plays were infused with Tupac, Biggie and Black Star.”

    Boseman first got into theater, acting and writing plays as an undergrad at Howard. He visited Africa for the first time during college with director and theater professor Mike Malone, working in Ghana to preserve and celebrate rituals with performances on a proscenium stage. He told AP the trip had been “one of the most significant learning experiences of my life.”

    Boseman had roles on TV shows like ABC Family’s “Lincoln Heights” and NBC’s “Persons Unknown,” but before “42” he had only acted in one film, 2008’s football drama “The Express.”

    Asked about his own childhood heroes and icons, Boseman cited Black political leaders and musicians: Malcolm X, Martin Luther King Jr., Bob Marley, Public Enemy, A Tribe Called Quest and Prince.

    While deeply private and often guarded in his public appearances and interviews, he made clear that he understood the significance of his work and its impact on the broader culture.

    At the 2019 Screen Actors Guild Awards, “Black Panther” won best ensemble, electrifying the room. Before an auditorium full of actors, Chadwick Boseman stepped to the microphone. He quoted Nina Simone: “To be young, gifted and black,” and put the moment in context.

    “We know what it’s like to be told there isn’t a screen for you to be featured on, a stage for you to be featured on. … We know what’s like to be beneath and not above. And that is what we went to work with every day,” said Boseman. “We knew that we could create a world that exemplified a world we wanted to see. We knew that we had something to give.”

    ___

    AP Film Writer Jake Coyle contributed to this report.

    August 29, 2020
  • Jerry Stiller, Comedian And ‘Seinfeld’ Actor, Dies At 92

    Jerry Stiller, Comedian And ‘Seinfeld’ Actor, Dies At 92

    His son, actor Ben Stiller, announced the news Monday morning

    NEW YORK (AP) — Jerry Stiller, who for decades teamed with wife Anne Meara in a beloved comedy duo and then reached new heights in his senior years as the high-strung Frank Costanza on the classic sitcom “Seinfeld” and the basement-dwelling father-in-law on “The King of Queens,” died at 92, his son Ben Stiller announced Monday.

    “I’m sad to say that my father, Jerry Stiller, passed away from natural causes,” his son said in a tweet.

    “He was a great dad and grandfather and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad,” wrote Ben, who followed in his father’s comedic footsteps and became an A-list box office star with movies like “Tropic Thunder,” “Dodgeball” and “Something About Mary.”

    Jerry Stiller was a multi-talented performer who appeared in an assortment of movies, playing Walter Matthau’s police sidekick in the thriller “The Taking of Pelham One Two Three” and Divine’s husband Wilbur Turnblad in John Waters’ twisted comedy “Hairspray.”

    He also wrote an autobiography, “Married to Laughter,” about his 50-plus year marriage to soul mate and comedic cohort Meara, who died in 2015. And his myriad television spots included everything from “Murder She Wrote” to “Law & Order” — along with 36 appearances alongside Meara on “The Ed Sullivan Show.”

    Stiller, although a supporting player on “Seinfeld,” created some of the Emmy-winning show’s most enduring moments: co-creator and model for the “bro,” a brassiere for men; a Korean War cook who inflicted food poisoning on his entire unit; an ever-simmering salesman controlling his explosive temper with the shouted mantra, “Serenity now!”

    Stiller earned an 1997 Emmy nomination for his indelible “Seinfeld” performance. In a 2005 Esquire interview, Stiller recalled that he was out of work and not the first choice for the role of Frank Costanza, father to Jason Alexander’s neurotic George.

    “My manager had retired,” he said. “I was close to 70 years old, and had nowhere to go.”

    He was initially told to play the role as a milquetoast husband with an overbearing wife, Estelle, played by Estelle Harris. But the character wasn’t working — until Stiller suggested his reincarnation as an over-the-top crank who matched his wife scream for scream.

    It jump-started the septuagenarian’s career, landing him a spot playing Vince Lombardi in a Nike commercial and the role of another over-the-top dad on the long-running sitcom “King of Queens.”

    While he was known as a nut-job father on the small screen, Stiller and wife Meara raised two children in their longtime home on Manhattan’s Upper West Side: daughter Amy, who became an actress, and son Ben, who would become perhaps the most famous Stiller as a writer, director and actor.

    He and Ben performed together in “Shoeshine,” which was nominated for a 1988 Academy Award in the short subject category.

    Stiller was considerably quieter and reflective in person than in character — although just as funny. The son of a bus driver and a housewife, Stiller grew up in Depression-era Brooklyn. His inspiration to enter show business came at age 8, when his father took him to see the Marx Brothers in the comedy classic “A Night at the Opera.”

    Years later, Stiller met Groucho Marx and thanked him.

    Stiller earned a drama degree at Syracuse University after serving in World War II, and then headed to New York City to launch his career. There was a brief involvement in Shakespearean theater, including a $55 a week job with Jack Klugman in “Coriolanus.”

    But his life and career took off after he met Meara in spring 1953. They were married that fall.

    The seemingly mismatched pair — he a short, stocky Jewish guy from Brooklyn, she a tall, Irish Catholic from the Long Island suburbs — shared an immediate onstage chemistry, too. They were soon appearing on “The Ed Sullivan Show” and working nightclubs nationwide.

    The pair also wrote and performed radio commercials, most memorably a series of bits for a little-known wine called Blue Nun. The duo’s ads boosted sales by 500%. Ben Stiller recalled trips with his sister to California when his parents would head west to do television appearances.

    The couple went on to appear as a team in dozens of film, stage and television productions. One of them was “After-Play,” a 1995 off-Broadway show written by Meara.

    Stiller joined “Seinfeld” in 1993, and moved on to “King of Queens” when the other Jerry & company went off the air in 1998. He also appeared in Ben Stiller’s spoof on modeling, “Zoolander,” released in 2001.

    ___

    Larry McShane, a former staffer of the Associated Press, was the principal writer of this obituary.

    May 11, 2020
  • ‘Inside The Actors Studio’ Host James Lipton Dies At 93

    ‘Inside The Actors Studio’ Host James Lipton Dies At 93

    The TV show that started in 1994 also served as a class for his acting students.

    NEW YORK (AP) — James Lipton, longtime host of “Inside the Actors Studio,” died Monday, his wife said. Lipton died of bladder cancer at his New York home, his wife, Kedakai Lipton, told the New York Times and the Hollywood Reporter. He was 93.

    Lipton interviewed hundreds of master actors and Hollywood luminaries for nearly 25 years on Bravo’s “Inside the Actors Studio.”

    The Detroit-born Lipton was an actor-turned-academic who became an unlikely talk show host and celebrity when he began the show in 1994 that also served as a class for his students at the Actors Studio, where he was dean.

    His first guest was Paul Newman, and future guests would include Meryl Streep, Robert De Niro, Glenn Close, Steven Spielberg and Barbra Streisand.

    Lipton said his favorite guest on the show was Bradley Cooper, because he was a former student.

    “The night that one of my students has achieved so much that he or she comes back and sits down in that chair would be the night that I have waited for since we started this thing,” Lipton told Larry King in 2016. “It turned out to be Bradley Cooper.”

    Lipton and Cooper, who can be seen asking Sean Penn a question in a 1999 episode of the show, both teared up when he returned as a guest in 2011.

    March 2, 2020
  • Complete List Of 2020 Screen Actors Guild Award Winners

    Complete List Of 2020 Screen Actors Guild Award Winners

    Other awards shows recognize the producers, directors, writers and others in the entertainment industry, but the SAG Awards only recognize actors and actresses.

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A TV MOVIE OR LIMITED SERIES

    Mahershala Ali, True Detective
    Russell Crowe, The Loudest Voice
    Jared Harris, Chernobyl
    Jharrel Jerome, When They See Us
    WINNER: Sam Rockwell, Fosse/Verdon

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A TV MOVIE OR LIMITED SERIES

    Patricia Arquette, The Act
    Toni Colette, Unbelievable
    Joey King, The Act
    Emily Watson, Chernobyl
    WINNER: Michelle Williams, Fosse/Verdon

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES

    Sterling K. Brown, This Is Us
    Steve Carell, The Morning Show
    Billy Crudup, The Morning Show
    WINNER: Peter Dinklage, Game of Thrones
    David Harbour, Stranger Things

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES

    WINNER: Jennifer Aniston, The Morning Show
    Helena Bonham Carter, The Crown
    Olivia Colman, The Crown
    Jodie Comer, Killing Eve
    Elisabeth Moss, The Handmaid’s Tale

    OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A DRAMA SERIES

    Big Little Lies
    WINNER: The Crown
    Game of Thrones
    The Handmaid’s Tale
    Stranger Things

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES

    Alan Arkin, The Kominsky Method
    Michael Douglas, The Kominsky Method
    Bill Hader, Barry
    Andrew Scott, Fleabag
    WINNER: Tony Shalhoub, The Marvelous Mrs. Maisel

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES

    Christina Applegate, Dead to Me
    Alex Borstein, The Marvelous Mrs. Maisel
    Rachel Brosnahan, The Marvelous Mrs. Maisel
    Catherine O’Hara, Schitt’s Creek
    WINNER: Phoebe Waller-Bridge, Fleabag

    OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A COMEDY SERIES

    Barry
    Fleabag
    The Kominsky Method
    WINNER: The Marvelous Mrs. Maisel
    Schitt’s Creek

    OUTSTANDING PERFORMANCE BY A STUNT ENSEMBLE IN A TELEVISON SERIES

    WINNER: Game of Thrones
    Glow
    Stranger Things
    The Walking Dead
    Watchmen

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE IN A MOTION PICTURE

    Cynthia Erivo, Harriet
    Scarlett Johansson, Marriage Story
    Lupita Nyong’o, Us
    Charlize Theron, Bombshell
    WINNER: Renée Zellweger, Judy

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE IN A MOTION PICTURE

    Christian Bale, Ford v Ferrari
    Leonardo DiCaprio, Once Upon a Time…in Hollywood
    Adam Driver, Marriage Story
    Taron Egerton, Rocketman
    WINNER: Joaquin Phoenix, Joker

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

    WINNER: Laura Dern, Marriage Story
    Scarlett Johansson, Jojo Rabbit
    Nicole Kidman, Bombshell
    Jennifer Lopez, Hustlers
    Margot Robbie, Bombshell

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

    Jamie Foxx, Just Mercy
    Tom Hanks, A Beautiful Day in the Neighborhood
    Al Pacino, The Irishman
    Joe Pesci, The Irishman
    WINNER: Brad Pitt, Once Upon a Time…in Hollywood

    OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE

    Bombshell
    The Irishman
    Jojo Rabbit
    Once Upon a Time…in Hollywood
    WINNER: Parasite

    OUTSTANDING PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE

    WINNER: Avengers: Endgame
    Ford v Ferrari
    The Irishman
    Joker
    Once Upon a Time…in Hollywood

    January 20, 2020
  • ‘Joker’ Leads Oscar Nominations; ‘1917,’ ‘Irishman’ Close Behind

    ‘Joker’ Leads Oscar Nominations; ‘1917,’ ‘Irishman’ Close Behind

    Female filmmakers were shut out, “Parasite” made history and “The Joker” just edged out “The Irishman,” “1917” and “Once Upon a Time … in Hollywood” in Monday’s Oscar nominations.

    Todd Phillips’ R-rated superhero smash “Joker” topped all films with 11 nominations, while Martin Scorsese’s elegiac crime epic “The Irishman,” Quentin Tarantino’s 1960s Los Angeles fairy tale “Once Upon a Time … in Hollywood” and Sam Mendes’ continuous World War I tale “1917” all trailed close behind with 10 nods apiece.

    Those four were among the nine films nominated for best picture, in nominations to the 92nd Academy Awards. The others were: Greta Gerwig’s Louisa May Alcott adaptation “Little Women,” Noah Baumbach’s divorce drama “Marriage Story,” Taika Waititi’s Nazi Germany romp “Jojo Rabbit,” James Mangold’s racing drama “Ford v Ferrari” and Bong Joon Ho’s class satire “Parasite” — the first Korean film to be nominated and only the 11th non-English best-picture nominee.

    “Joker,” which gives the DC Comics villain an antihero spin cribbed from Scorsese, was expected to do well Monday. But the academy’s overwhelming support for a divisive movie that was far from a critical favorite was unexpected. The film’s nominations included best actor for Joaquin Phoenix and best director for Phillips.

    Though a record 62 women (or about a third of nominees) were nominated Monday, the Academy of Motion Pictures Arts and Sciences put the most weight behind a handful of swaggering male-driven and man-made movies predicated on virtuosity, spectacle and celebrity. For the 87th time, the academy selected all-male directing nominees.

    Hollywood, in the midst of a streaming upheaval, also gave Netflix more nominations, 24, than ever before. The 10 nominations for “The Irishman” tied the most for a Netflix film, following “Roma” last year. Scorsese, a one-time winner for “The Departed,” was nominated for best director for the ninth time. The film also won nods for Al Pacino, Joe Pesci and its de-aging special effects. “We put all of ourselves into this picture,” said Scorsese in a statement.

    “1917″ followed up its Golden Globes win and strong opening weekend at the box office with nominations not just for its technical achievement (including Mendes’ directing and Roger Deakins’ cinematography) but for best screenplay, too.

    “Once Upon a Time … in Hollywood” was nominated in just about every category it was expected to, including Tarantino for directing and screenplay, best actor for Leonardo DiCaprio and best supporting actor for Brad Pitt.

    “It’s a real love story to this industry,” DiCaprio said by phone. “In this movie, Quentin got to do a movie that was a homage to Los Angeles and a place that I grew up in.”

    Despite a year in which women made historic gains behind the camera, female directors were again shut out of best director. The most likely candidate was Greta Gerwig (“Little Women”), who was the last woman nominated, two years ago for “Lady Bird.”

    “Congratulations to those men,” said Issa Rae, who presented the nominees alongside John Cho.

    There were many surprises. Awkwafina, who was poised to become just the second Asian American nominated for best actress (the first, 1936 nominee Merle Oberon, hid her South Asian heritage), wasn’t nominated for her acclaimed leading performance in “The Farewell.” Also overlooked for best animated film was “Frozen 2,” the highest grossing animated film ever; Beyoncé, for her “Lion King” song; and the hit documentary “Apollo 11.”

    Most glaringly, Jennifer Lopez, long considered a supporting actress front-runner for her performance in “Hustlers,” was also denied her first Oscar nomination.

    Those oversights left the Oscars with their least diverse field since the fallout of #OscarsSoWhite pushed the film academy to diversify its membership. The only actor of color nominated was Cynthia Erivo, the British actress, for her Harriet Tubman in “Harriet.” Last week, the British film academy nominated only white performers, leading Erivo to decline an invitation to perform.

    Bong Joon Ho’s “Parasite,” however, made history for South Korea. Along with the country’s first nomination for best international film, the Cannes Film Festival Palme d’Or also won nods for Bong’s direction, best editing and best production design.

    No filmmaking couple has had an Oscar nominations morning quite like Gerwig and Noah Baumbach, director of the divorce drama “Marriage Story.” Their movies were each nominated for best picture, best screenplay (adapted for Gerwig; original for Baumbach) and six nominations in total.

    “Little Women” producer Amy Pascal, the former Sony Pictures chief, said she would celebrate with Gerwig and Baumbach at dinner Monday evening. On Gerwig’s lack of directing nod, Pascal said: “I wish it were otherwise. But we’re so proud this morning.”

    Nominations for “Marriage Story” included nods for its leads, Adam Driver and Scarlett Johansson, and Laura Dern for best supporting actress. Johansson, also nominated for her supporting turn in “Jo Jo Rabbit,” became the first two-time acting nominee since Cate Blanchett managed the feat in 2007.

    Also nominated for best actress was Renée Zellweger, considered the front-runner for her Judy Garland in “Judy,” Charlize Theron (“Bombshell”) and Soairse Ronan (“Little Women”). Just 25 years old, Ronan now has four Oscar nominations.

    Joining Driver, DiCaprio and Phoenix for best actor were Jonathan Pryce, who stars as Pope Francis in “The Two Popes”; and Antonio Banderas, who plays a semi-fictionalized version of director Pedro Almodóvar in “Pain and Glory.”

    “What are the odds that you are being directed by your own character? Very rare, right?” said Banderas by phone Monday.

    Tom Hanks received his first Oscar nomination since “Cast Away” 19 years ago for his Mister Rogers in “A Beautiful Day in the Neighborhood.” But Pitt, who is heading toward his first acting Academy Award, is the overwhelming favorite among the supporting actor nominees. Joining Pacino and Pesci was Pryce’s papal co-star, Anthony Hopkins.

    Along with Dern and Johnson, the nominees for best supporting actress were Kathy Bates (“Richard Jewell”), Florence Pugh (“Little Women”) and Margot Robbie (“Bombshell”).

    “American Factory,” the first film from Barack and Michelle Obama’s recently launched production company, Higher Ground, was nominated for best documentary. Said Obama: “It’s the kind of story we don’t see often enough and it’s exactly what Michelle and I hope to achieve with Higher Ground.”

    “Honeyland,” about a wild bee keeper in rural Macedonia, became the first film ever nominated for both best documentary and best international film. The film, directed by Tamara Kotevska and Ljubo Stefanov, began as a short video commission from Macedonia’s Nature Conservation Project and grew into one of the year’s most acclaimed releases.

    Also up for best documentary are: “For Sama,” “The Edge of Democracy” and the Syrian Civil War film “The Cave.” Feras Fayyad, director of “The Cave,” was nominated in 2018 for his “Last Men in Aleppo” but was unable to attend the Oscars when his visa was rejected because of President Donald Trump’s travel ban.

    “I wish my film, which provides clear evidence of crimes against humanity committed by Bashar al-Assad’s Syrian regime and his Russian conspirators, did not need to exist,” Fayyad said in a statement. “I wish I was still in Damascus drinking coffee with my artist friends.”

    The other nominees for best international film were “Pain and Glory” from Spain, “Les Miserables” from France and “Corpus Christi” from Poland.

    The nominees for best animated feature film were: “How to Train a Dragon: The Hidden World”; “Toy Story 4”; “I Lost My Body”; “Klaus”; “Missing Link.”

    After the most dominant box-office year in Hollywood history, the Walt Disney Co.’s top films — including the record-setting Marvel blockbuster “Avengers: Endgame” — were largely relegated to categories like best visual effects. The studio, which has never won a best picture Academy Award, does have a few contenders via its acquisition in April of 20th Century Fox: best-picture nominees “Ford v Ferrari” and “Jojo Rabbit.”

    The 92nd Academy Awards will take place Feb. 9 in Los Angeles at the Dolby Theatre. ABC will again broadcast the show, viewership for which last year rose 12% to 29.6 million. Like last year, this year’s ceremony will go without a host.

    ___

    AP Entertainment Writers Jonathan Landrum Jr. and Andrew Dalton in Los Angeles contributed to this report.

    ___

    Follow AP Film Writer Jake Coyle on Twitter

         
    January 13, 2020

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