Category: Entertainment News Feed

SALT LAKE CITY (AP) — Utah revoked another campus license on Friday for the boarding school where Paris Hilton said she was abused as a teenager, marking a major victory in the hotel heiress’ yearslong effort to get the school shut down.

The Utah Department of Health and Human Services’ decision cites a multitude of noncompliance citations in 2026 for the Provo Canyon School’s Provo campus, including not protecting “a client from potential harm or acts of violence,” and “using cruel and unnecessary practice on a child.” More than a dozen of the citations were noted on Friday.

“No child should be hurt in a program that is meant to protect them; particularly programs that require the authorization of the state to operate,” Shannon Thoman-Black, director of the division of licensing and background checks at the health and human services department, said in a statement.

Earlier this month, the state revoked the license for the Provo Canyon School’s other campus in Utah, saying the school has “failed to provide applicable health and safety services for clients.”

Paris Hilton, the media personality who spent almost a year at the school in the late 1990s, said the latest announcement means she finally feels a sense of “peace.”

“This horrific chapter of abuse, neglect, and trauma has finally come to an end,” she said in a statement.

The school, which is described on its website as a psychiatric residential treatment facility for youth ages 12 to 18, has until Aug. 15 to stop providing services at its Provo campus. In the interim, Utah officials will be monitoring the facility at least once a week, according to the state’s Department of Health and Human Services.

Staci Bradley, the school’s director of business development, said in a statement that they do not agree with the state’s decision and “are carefully reviewing all available legal and administrative avenues, including the appeals process.”

The facility has 15 days to request a hearing before the department.

Hilton alleges that school staff members beat her, watched her shower, fed her unknown pills and locked her in solitary confinement without clothing.

“Today means no child will ever have to endure what we did at Provo Canyon School again,” she said.

She has testified about her experiences there in Congress and state legislatures around the U.S., helping pass laws to protect teens in Utah and more than a dozen other states. Utah has long played an outsized role in the troubled teen industry, a network of private, for-profit residential centers for children with behavioral issues.

In June, Hilton returned to the Provo Canyon School to support two families who filed lawsuits alleging that their children were mistreated at the school.

The school is under new ownership, and the administration has said it can’t comment on anything that came before the change, including Hilton’s time there.

NEW YORK (AP) — A 40-year-old New York man faces hate crime charges following a confrontation with “Today” show host Craig Melvin at NBC’s studio in Manhattan.

The man was arrested Thursday morning inside 30 Rockefeller Center in Midtown by an officer responding to reports of a disorderly individual inside the building, police said Friday.

NBC News says in a statement that an individual approached Melvin after entering an unauthorized area in a vestibule near Studio 1A. Melvin notified security, who held the man until police arrived, according to NBC.

No altercation occurred and no injuries were reported. NBC did not say how the man gained access to the area.

“We are reviewing the incident and our security protocols and remain committed to providing a safe and secure environment for everyone who works at and visits our studios,” the network said in a statement.

The man has been charged with burglary, menacing and criminal trespass as hate crimes, as well as harassment. It was not clear Friday if has appeared in court or if he has an attorney.

Police did not say what led to the hate crime enhancements on the charges. Police records show a court date has been scheduled for Wednesday.

Melvin, who is Black, discussed the incident on-air Friday morning.

“Unfortunately, an intruder made his way into an unauthorized area here at Studio 1A,” Melvin said. “Thankfully, he was apprehended quickly. He was placed under arrest. We are just very happy that everyone is safe.”

Melvin also posted about the incident on Instagram.

“Hey everyone. I’ve heard from so many of you over the last few hours,” he wrote on Thursday. “I’m doing just fine. Thanks for reaching out.”

Longtime “Today” show meteorologist Al Roker also took to social media to thank everyone reaching out to check on Melvin.

“We are both okay,” Roker posted on Instagram. “It’s moments like these that serve to pull us together. You all, like Craig, said ‘You come after one of us, you come after all of us.’”

Melvin and Roker are among a relatively small group of prominent Black journalists and anchors with regular, highly visible roles on national broadcast network news programs.

Melvin joined NBC and MSNBC in 2011, according to the “Today” show’s website. He replaced Hoda Kotb in 2025 as co-host of the 7 a.m. to 9 a.m. hours of “Today.” He had been hosting the show’s third hour while serving as the news anchor during the first two hours.

Roker also is a feature anchor on “Today” and co-host of the show’s third hour. He joined the show in 1996. Roker also co-hosted the “Wake Up with Al” morning show on the Weather Channel from 2009 to 2015.

MUNICH, Germany (AP) — Nicholas Brownlee had just fallen in love with opera and was eager to see if his emerging bass-baritone voice could handle Richard Wagner’s music. It did not go well.

“I kept reading how you have to wait to sing this big repertoire,” Brownlee said. But there was one bit of Wagner — Wolfram’s “Song to the Evening Star” from “Tannhäuser” — that’s “a little bit lighter. I figured it was more appropriate.”

So he brought it to his teacher, Thomas Rowell, at the University of South Alabama and asked what he thought.

“I just laughed at him and told him to go away,” Rowell recalled. “He knew that big voice was there, and he was so eager to try on the clothes, but they didn’t fit for a while. It was still a very young instrument.”

Reminded of that exchange nearly 20 years later, Brownlee smiles. “I was a bit ambitious,” he said. “But this was just me.”

Now that ambition — what he calls “a fire in my belly that burns brighter every day,” — has helped propel Brownlee at age 37 to the very top of his profession. And he’s done it by singing a lot of Wagner.

All hail a new Wotan

He just made his debut as Wotan, embattled king of the gods, in “Die Walküre” at the Bavarian State Opera House, part two of a complete “Ring” cycle directed by Tobias Kratzer. He had previously sung the role in “Das Rheingold,” the opera that opens the cycle.

The critics reached for superlatives. “A heroic baritone straight out of a textbook,” wrote Markus Thiel in Merkur, “with a powerful, resonant voice, a force of nature.” Carlota Moseguí in Platea Magazine praised his voice and said Brownlee “possesses all the qualities to become the definitive Wotan of his generation.”

Next, Brownlee heads to the Wagner shrine in Bayreuth, Germany, where he will star as the title character in “Der Fliegende Holländer” (“The Flying Dutchman.”) And his upcoming season is one Wotan after another.

“It’ll be ‘Siegfried’ time in Munich, then ‘Walküere’ time in Buenos Aires, then ‘Rheingold’ time in Barcelona,” he said. Add to that two of the “Ring” operas in Frankfurt and then two complete cycles next summer back in Munich.

“It’s a once-in-a-lifetime thing to have a student who goes that far, especially from a small regional state university like ours,” said Rowell, who remains close friends with Brownlee and officiated his wedding to mezzo-soprano Jennifer Feinstein. “I have to pinch myself. I’m enjoying it vicariously.”

Does Brownlee worry at all about damaging his voice from so much heavy singing?

“I don’t think you’re supposed to say this, but no, not really,” he replied. “We like to put this big stamp on Wagner and say ‘Be Careful!’” But he said he finds the demands of each opera different enough to help him avoid burnout.

Still, he promises that his roles the following season will be more varied, including a return to one of his favorites — Baron Scarpia in Puccini’s “Tosca.” And down the road are two Verdi roles — the villainous Iago in “Otello,” and the comic Falstaff.

Of the latter, he said, “I want to flex a different muscle. I talk fast, I’m a bubbly, fun guy, but what I do on stage is so serious all the time. Boy it would be fun to just be a jolly fat guy!”

From Conway Twitty to Richard Wagner

Just how did a boy from a working-class family in a small town outside Mobile, Alabama, become one of a handful of go-to singers in the world for these demanding roles?

His first success as a vocalist actually came as the youngest grandchild in a large extended family, performing Conway Twitty imitations to grab attention. Classical music had to wait until he fell under the spell of his high school choral director.

When he went to college, he planned to study conducting, but Rowell heard him sing and cajoled him into joining the Mobile Opera chorus.

“I went in the first day and I hated it,” Brownlee recalled. “I said, this is in Italian, who cares? That’s for stuffy elite people, not for us blue-collar fellas.”

Still, his curiosity made him determined to figure out why some people loved the art form. So he sat by the side of the stage one night to watch the emotional final scene of Verdi’s “La Traviata,” when the heroine dies after being reunited with her lover.

“When she said, ‘O, gioia!’ and she fell into his arms, and now she’s dead, Alfredo’s weeping over her, and Germont is feeling half-responsible, I was weeping uncontrollably,” he said. “And I didn’t even know what they were saying.”

That’s when he started taking voice lessons, and from there followed years of study and apprenticeships both in the U.S. and later in Germany. Along the way he competed twice in the Metropolitan Opera’s National Council Auditions.

The first time, still in his early 20s, he made it to the semifinals in New York. “I did not go on to the finals, which was absolutely correct,” he said. “Failure is a great lesson.” (Coincidentally, one of the winners that year was Ryan Speedo Green, who will be singing Wotan in the Met’s upcoming “Ring” cycle.)

Brownlee returned in 2015, and this time he took home one of the top prizes. Other awards have followed, including in 2025, best male singer at the International Opera Awards and the Richard Tucker Award for most promising American singer.

Finding fame far from home

Yet this American singer is still barely known to most opera audiences in his native country. Brownlee’s career has so far been largely in Germany, where he and Feinstein are raising their two daughters and are currently applying for dual citizenship.

“I can perform anywhere in Europe and be home in two hours to see my girls,” he said. “In America that’s just not something you can do,”

He may be rooted in Europe for now, but major U.S. houses are beckoning with increasing urgency.

When he appeared at Chicago’s Lyric Opera this past spring as the prophet Jochanaan in Richard Strauss’s “Salome,” general director John Mangum called his performance “absolutely thrilling.” He said Brownlee is “definitely going be at the top of our list” as the company charts its future Wagner performances.

And Peter Gelb, the Met’s general manager, who heard him sing a major role for the first time during the Munich run of “Walküre,” said “I was blown away. … We’ll definitely be offering him big roles at the Met in upcoming seasons.”

LONDON (AP) — Brenda Fricker, who became the first Irish woman to win an Academy Award for her role as Bridget Fagan Brown in the 1989 film “My Left Foot,’’ has died. She was 81.

The Irish character actor died Thursday night in Dublin after a period of ill health, her agent, Phil Belfield said in a statement.

Fricker won the Academy Award in 1990 for best supporting actress for her portrayal of the determined mother of Christy Brown, a writer and painter who was born with cerebral palsy and could control only his left foot. Daniel Day-Lewis, who played Brown, won the award for best actor.

“She was just an amazing actress, amazing character, forceful personality, great writer,” the movie’s director, Jim Sheridan, told Irish national broadcaster RTE. “She could be obsessive — in everything she did — life, work, love. But no real malice or anything, she was just a very strong personality and a good laugh.”

Fricker said she was stunned when she won the Oscar, never thinking it was possible. In her acceptance speech, she thanked Brown “just for being alive” and paid tribute to his mother, saying “anybody who gives birth 22 times deserves one of these.”

She later spoke of how the award doomed her to being typecast to forever playing roles as mothers. Later in life, she said she used the weighty statuette to prop open her bathroom door.

Fricker, who appeared in more than 90 films and television shows between 1964 and 2024, was known for her role as the “pigeon lady” in the 1992 film “Home Alone 2: Lost in New York,” where she played a homeless woman who befriended Macaulay Culkin’s character in New York’s Central Park.

She also featured in the original cast of the BBC medical drama “Casualty” and appeared alongside Cate Blanchett in “Veronica Guerin,” the story of an Irish investigative journalist who was murdered in 1996.

“We will never see her like again and the world is lesser for the lack of her,’’ Belfield said. “I was honored to know, love and work with her and she will always have a place in my heart and in the heart of so many film and TV fans the world over.”

Born in Dublin in 1945, Fricker received the city’s highest honor earlier this year when she was awarded the Freedom of the City.

In her autobiography “She Died Young: A Life in Fragments,” Fricker describes both happy childhood escapades with her sister Grania and her struggles to overcome sexual violence and mental health issues, which caused her to be institutionalized several times. Published in September 2025, the book appeared on the Irish Sunday Times bestseller list.

Simon Harris, Ireland’s deputy prime minister, said the country had lost a national treasure.

“She truly was among the greatest exports this country has ever produced and an ambassador for Irish talent on the world stage,” he said. “Quite simply, we will never see the like of her ever again.

Fricker was married to director Barry Davies from 1979 until they divorced in 1988. She became pregnant several times but suffered miscarriages, which led to severe depression much of her life.

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Associated Press writer Brian Melley in London contributed to this report.

WASHINGTON (AP) — The Trump administration announced Thursday it will drastically shorten visas for foreign journalists in the U.S. to 240 days, down from years, and cut those for Chinese journalists to only 90 days, raising concerns over press freedom in the United States and prompting China to warn of possible reciprocal countermeasures.

The rule announced by the Department of Homeland Security will do away with the “duration of status” system, which allows foreign journalists to stay and work in the United States as long as they meet eligibility requirements. That will be replaced with a fixed period of time, though the visas may be extended.

The agency says it’s necessary to better vet the visa holders. But advocates for foreign journalists oppose the change, saying the drastically shorter stay would severely restrict their ability to live and work in the States.

The even shorter visa rule for Chinese journalists, which does not include those from the “special administrative regions” of Hong Kong or Macao, is particularly harsh and could add tensions to the already fraught relations between Washington and Beijing, despite both leaders stating they intend to stabilize ties.

The decision comes at a time when President Donald Trump is targeting news organizations with multiple threats and legal actions at home and his administration is tightening immigration policies, though foreign journalists are not considered immigrants.

Journalism organizations denounce the decision

The rule will take effect 60 days after it’s published in the Federal Register. Congress can reject a rule, but it’s extremely rare.

“We are outraged that the Trump administration has cruelly limited the duration of visas for foreign journalists from a period of up to five years to a fixed eight months,” the advocacy group Reporters with Borders said in a statement. “This change destroys international journalists’ ability to report from the U.S. and makes it extremely difficult for international outlets to operate here at all.”

“The relentless cycle of visa renewals restricts press freedom, as journalists will feel compelled to avoid drawing the administration’s ire, lest their applications be rejected,” it said.

The Committee to Protect Journalists released a statement calling the new visa policy “the behavior of a backsliding democracy, not the international vanguard of free speech.”

In proposing the change in August 2025, the federal agency said the rising number of foreign journalists in the U.S. “poses a challenge” to its ability “to monitor and oversee these nonimmigrants while they are in the United States.”

It added that students and foreign visitors also will see their previous rule of “duration of status” replaced with fixed periods by the same decision.

By admitting them into the country for a fixed period, the Department of Homeland Security said it could better vet the visa holders to ensure their activities are permissible. The visas can be extended.

This isn’t the first time shortening visas has been proposed

The first Trump administration sought to change the visa rules in 2020, but the proposal was withdrawn in 2021 when President Joe Biden took office.

But the White House then tightened visas for Chinese journalists to only 90 days, in response to the treatment of U.S. journalists in China, including the expulsion of three Wall Street Journal reporters, as tensions flared up during the COVID-19 pandemic between the two countries. The Biden administration later relaxed the rule, allowing stays to increase to up to a year.

When the Trump administration proposed to revive the 90-day rule last year, the Chinese Foreign Ministry said it opposed “the U.S.’s discriminatory move targeting a specific country.”

China warns of reciprocal measures

China’s Foreign Ministry called the decision “discriminatory” and said it would affect the work of Chinese media in the U.S.

“China urges the U.S. to immediately revoke its discriminatory policies targeting Chinese journalists and effectively safeguard their lawful rights and interests in the U.S.,” said Foreign Ministry spokesperson Lin Jian at a daily briefing in Beijing. He added that “China reserves the right to take reciprocal countermeasures.”

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AP journalists Fu Ting in Washington and E. Eduardo Castillo in Beijing contributed to the report.

As President Donald Trump threatened sanctions for those who didn’t cover his address live Thursday night, the nation’s broadcast and cable news operations wrestled with the thorniest of questions: To air or not to air?

Networks and their news operations, broadcast and cable alike, spent the hours leading up to Trump’s address debating how to cover it — and struggling to balance delivering the news with handing over their airwaves to potential falsehoods about the 2020 elections.

In the end, a patchwork quilt of coverage was largely united by one common strategy: real-time fact-checking as much as was possible even while the president was still speaking.

The dilemma took place against a backdrop of deep tension between the media and a president working to exert control over it by whatever means he can. Even in his speech itself, Trump excoriated networks that chose not to carry it live, saying that “NBC and ABC fake news” avoided it because they “don’t like the topic.” He also threatened them with consequences, using the presidential pulpit to suggest they should be sanctioned for their editorial decisions.

“They and others in the media are part of a plot,” Trump said, offering no evidence for his assertion. There is also no evidence of fraud in the 2020 elections.

“They want to continue this fraud for whatever reason. They want to keep it going,” he said. “Fraud like this should mean a revocation of their licenses. They use our public multibillion-dollar-in-value airwaves for absolutely no money. They pay nothing. All we want is honesty in our elections and honesty in reporting.”

The tension between Trump and the news media during his second term has taken many forms, from sanctions against members of the White House press corps to regulatory actions through the Federal Communications Commission to outright lawsuits.

There were a variety of approaches to coverage

The media outlets’ decision-making — seemingly last-minute, for many, with networks divulging their plans minutes beforehand — produced a variety of coverage scenarios for the 24 minutes of Trump’s address.

CNN’s Kaitlan Collins anchored her nightly program. “We aren’t taking it live,” she said of the speech, given the president’s “well-documented history” of falsehoods. Panelists were on hand for analysis and fact-checking. “Sadly, we have no choice to be skeptical when this president talks elections,” said the network’s veteran correspondent John King.

Fox News and Fox Broadcasting aired the president’s speech live. But ABC and NBC did not, sticking with regular programming — “Press Your Luck,” in ABC’s case, and an animal show featuring alligators in NBC’s. But they were ready to cut in as they deemed newsworthy, as well as offering special reports afterwards.

Both ABC and NBC, however, provided live coverage on their streaming channels — NBC News NOW and ABC News Live — as well as ABC News Radio. In the still-young era of streaming, that is increasingly a decision that allows network news to play it both ways.

As for CBS, the network did preempt regular programming — a summer rerun of “Georgie & Mandy’s First Marriage” — to air a special report anchored by Tony Dokoupil. The report joined the live speech a few minutes in, at 9:06, and left it before the end, at 9:23.

MS NOW started airing the speech, then cut away for analysis and commentary after 17 minutes on host Jen Psaki’s show. Psaki used the split screen for a bit, with her speaking on the right and a muted Trump appearing on the left.

By the end, of the top networks, the speech was continuing live only on Fox News.

Robert Thompson, director of Syracuse University’s Bleier Center for Television and Popular Culture, said coverage of the 24- minute address made for “a weird evening, where the reporters quote and describe the speech but show little of what they’re quoting.” Thompson said full coverage was the way to go even — and perhaps especially — if the speech was believed to contain falsehoods.

“When the president of the United States makes an announcement that there is going to be a major speech with major information, however cynical we are … I think that is, by definition, important civic news significant to the citizenry,” he said. “It’s the president making the speech, and if the president does what everybody’s worried about him doing, that is a real reason to be covering it, to bear witness on exactly what gets said.”

Networks had been urged beforehand to carry it live

Earlier Thursday, at the White House briefing, press secretary Karoline Leavitt had urged TV networks to carry the speech live. And Fox News Channel’s Sean Hannity said on his show that major networks not going live was “pretty unheard of for a primetime address for a president.”

Broadcast networks, though, have previously declined primetime coverage to President Barack Obama for a 2014 speech on immigration, and President Joe Biden for his speech on democracy, “Battle for the Soul of the Nation,” in 2022.

The backdrop of Thursday’s speech was an ever-increasing tension between the media and the administration. Broadcast networks have been under close scrutiny by the Trump-appointed chair of the FCC, Brendan Carr, who has launched early reviews of licenses of some ABC-owned stations and threatened to revoke the long-held exemption from equal time rules for the popular talk show “The View.”

Trump’s animosity toward news outlets whose agenda runs counter to his own isn’t new. But in his second presidential term, he has launched an escalation, often harnessing the levers of the federal government or attempting to do so. The efforts have taken place both in actual courtrooms and in the court of public opinion.

Netflix said Thursday its second-quarter profit grew thanks to new membership signups and price increases, which “had gone well and as expected.”

But the company’s shares declined sharply in after-hours trading as the video streaming company’s forecast for the current quarter fell below Wall Street’s expectations.

Netflix earned $3.4 billion, or 80 cents per share, in the March-June period. That’s up 9% from $3.13 billion, or 72 cents per share, in the same period a year earlier.

Revenue grew 13% to $12.56 billion from $11.08 billion.

Analysts, on average, were expecting earnings of 79 cents per share on revenue of $12.58 billion, according to a poll by FactSet.

For the current quarter, Netflix is forecasting revenue growth of about 12%. Analysts are expecting revenue to grow by about 13%, to $13 billion.

The Los Gatos, California-based company said its advertising business remains a top priority and it expects to bring in about $3 billion in ad revenue this year. Netflix added that it’s seeing strong interest in its live events offerings, including the Women’s World Cup.

Netflix said animated film “Swapped” is on its way to becoming its second-most viewed original animated movie, behind last year’s wildly popular “ KPop Demon Hunters. ”

The quarter’s most popular streams included Harlan Coben’s “I Will Find You,” “Legends” from the U.K., “The Polygamist” from South Africa and the K-drama “Teach You a Lesson.”

Netflix said it is using large language models to improve how its subscribers find things to watch and it’s adding voice search functionality and artificial-intelligence powered natural language search.

In February, Netflix walked away from its offer to buy Warner Bros. Discovery’s studio and streaming business.

Shares of Netflix fell $5.33, or 7.2%, to $69.02 in after-hours trading.

WASHINGTON (AP) — President Donald Trump used a primetime address to the nation Thursday to elevate his yearslong push to raise doubts about the legitimacy of U.S. elections and dispute his 2020 loss in an appeal for more restrictive voting laws ahead of the midterms.

Trump’s amplification of debunked theories about the election six years ago and his inability to accept his loss led to one of the darker moments in American history when a mob of his supporters led a violent attack on the U.S. Capitol on Jan. 6, 2021, in the final days of his first term.

Now back in power, Trump opted to revisit the subject, despite persistent voter concerns about the cost of living, American forces escalating strikes on Iran in a conflict for which there is no end in sight, and an immigration crackdown facing bipartisan scrutiny for its sometimes deadly tactics.

His address Thursday hinged on contradictions.

A twice-elected president complained about his one personal defeat, alleged a cover-up by officials in his own first administration and surfaced claims about countries attempting to harm his own prospects while staying silent on steps taken by other nations to boost him.

Trump used the remarks to justify his push to pass a strict voter ID bill in Congress that has not advanced because it lacks enough support from his fellow Republicans.

“America is back and doing really well, but we still have a major challenge that must be urgently addressed, because no country can be great without fair and honest elections,” he said.

Trump doesn’t raise doubts about his election wins

Trump began Thursday night with a stark warning about what he described as flaws in the voting system and said he was releasing previously classified documents related to the 2020 and 2018 elections, when he lost the presidential election and when his party suffered losses.

Trump’s speech presented allegations of interference and influence in ways that lacked key context and did not produce evidence that votes had been manipulated or that the election outcome had been altered.

Notably, Trump focused on China but glossed over Russia, a country that intelligence officials have said favored Trump in 2016 and 2020 and engaged in wide-ranging influence campaigns aimed at boosting him over Democrat Joe Biden in the latter campaign.

Despite focusing on China in his speech, Trump did not criticize or issue a warning to Chinese President Xi Jinping, whom he has long praised.

Election security experts say America’s decentralized voting system, with the power over elections residing with the states instead of the federal government, is a strength. Americans vote in more than 10,000 different jurisdictions with different rules, making the nations’ elections extraordinarily complicated but safe from widespread fraud.

No credible intelligence has emerged showing that the vote count in 2020 was manipulated by foreign actors. Repeated audits and reviews — manyrun by Republicans, including Trump’s own then-attorney general — have found no significant fraud occurred in 2020.

Even if substantiated, Trump’s claims did not amount to conduct that would have altered the outcome of any race, let alone the 2020 race for the White House.

He also did not raise doubts about his election wins in 2016 or 2024.

As Trump spoke, the White House unveiled a website containing documents that were presented without context and included selectively released pieces of investigation files, intelligence analysis and correspondence.

Former intelligence official calls address ‘dangerous’

Sue Gordon, principal deputy director of national intelligence in Trump’s first term, called the president’s address “a dangerous speech about an incredibly important topic.” She said the intelligence community throughout Trump’s first term was alarmed about foreign interference in elections, but Trump scoffed at them, angered at the investigation of his campaign’s relationship with Russia.

“He had an entire term to deal with it and I don’t know how you can believe how the same community that told him about it, that was excoriated about it” wouldn’t warn him in 2020, Gordon said on CNN.

Conservative commentator John Solomon, who joined the White House staff last month and was seated in the East Room for Trump’s speech, later told MS NOW that “the intelligence community has zero evidence that someone has flipped – that a foreign power flipped — a vote in 2020, ‘22 or ’24.”

But, he added, “We’re not through all the documents.”

Trump urged the Justice Department to conduct investigations and prosecutions, though it was unclear from his speech what sort of criminal conduct — if any — could be identified, proven and charged.

In a contrast with his concerns about foreign interference in elections, Trump in his new budget proposes a $707 million cut in the U.S. Cybersecurity and Infrastructure Agency, the group charged with protecting American election systems from overseas cyberattacks. Trump and other conservatives have been frustrated that the organization pushed back on election claims in 2020 and beyond.

Some networks did not air it live

In past presidencies, primetime addresses have typically been reserved for major milestones or nationally significant events.

Trump last spoke to the nation in April, giving an address on the Iran war a month after it started. He said then that the U.S. would accomplish its objectives “very shortly” and that “the hard part is done, so it should be easy.” The war, however, has dragged on and strikes between the U.S. and Iran have intensified this week.

Trump also delivered a politically charged primetime speech in December in which he sought to blame the challenging economic climate on Democrats.

ABC, NBC and CNN did not air Thursday’s remarks live but carried them in full on their streaming services.

CBS and MS NOW both cut away from Trump’s speech before he finished, while Fox News continued to carry his address.

Trump called out the media outlets for not carrying it live, accused them of being “part of a plot” and suggested their broadcast licenses be revoked.

Networks typically — but not always — carry presidential addresses to the nation live. In 2022, when Biden delivered a primetime address full of warnings about Trump and his adherents’ “extreme ideology,” the networks did not carry it live.

In 2014, the major networks chose to stick with their primetime programming instead of airing an address by President Barack Obama on his plans for immigration reform.

Democrats accuse Trump of seeking to discredit next election

Democrats warned that Trump was trying to revive false claims of past stolen elections in order to delegitimize the 2026 midterm elections, in which Trump’s Republican Party is facing headwinds.

Democratic Sen. Mark Warner of Virginia called Trump’s claims “totally bogus.”

“The fact is our intelligence agencies unanimously agreed that China did not even try to change a single vote in the 2020 election,” Warner said in a statement on X. “A single concurring opinion suggested China may have tried to sway voters’ opinions … but that’s been public knowledge since 2021.”

Rep. Joseph Morelle of New York, the ranking Democrat on the administration committee that handles federal voting issues and elections, said Trump is trying to sow confusion before the midterm elections.

“This is a pretext for the president, I think, calling into dispute the 2026 elections,” Morelle said on C-SPAN, adding that “we have secure elections.”

“I heard no concrete allegations that foreign actors actually changed the results of an American election,” Democratic Sen. Chris Coons of Delaware said on CNN.

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Associated Press writers Mary Clare Jalonick, Lisa Mascaro and Will Weissert in Washington, Ali Swenson and Jocelyn Noveck in New York and Nicholas Riccardi in Denver contributed to this report.

NEW YORK (AP) — Acclaimed author Patricia Lockwood is this year’s winner of the Gabe Hudson Prize, a $10,000 honor named for the late author, educator and editor and given for fiction that demonstrates “humor, pathos, and a deep understanding of contemporary America.”

Lockwood was cited for “Will There Ever Be Another You,” a dark and comic novel about a woman’s breakdown amidst the COVID-19 pandemic.

“Sentences and passages flash us with beauty or leave us reeling with laughter,” the judges’ citation reads in part. “There is so much pain in the book and yet there is no self-pity, instead there is a marvelous self-awareness as to how ridiculous it is to be human.”

The Hudson prize was established in 2024 by his mother, Sanchia Semere, and is administered by the publisher McSweeney’s. Hudson, who died in 2023 at age 52, was known and admired for such fiction as “Dear Mr. President,” for his work as an editor at large at McSweeney’s and for his years as a teacher at Yonsei University in Korea, among other schools.

Lockwood’s other books include “Priestdaddy,” winner in 2018 of the James Thurber Prize for American Humor, and the novel “No One Is Talking About This,” shortlisted for the Booker Prize in 2021. In a statement Thursday, Lockwood noted that she felt a kinship with Hudson, even though they never met.

“He was a truly generous literary citizen with a rich trajectory: a writer of funny, gut-punching stories, an inventive novelist, a cheerleader for others,” she said. “He was a Marine, like my brother, and a teacher in South Korea, in the same neighborhood where my husband grew up.”