Category: Entertainment News Feed

  • Danny Boyle’s Rupert Murdoch movie ‘Ink’ to open Venice Film Festival


    A new film about the rise of media tycoon Rupert Murdoch and “The Sun” editor Larry Lamb has been selected to open the Venice International Film Festival, organizers said Thursday. Directed by “Trainspotting” filmmaker Danny Boyle, “Ink” is an adaptation of James Graham’s acclaimed play, which dramatizes Murdoch’s 1969 acquisition of the daily newspaper “The Sun.”

    Guy Pearce plays Murdoch and Jack O’Connell plays Lamb in the film about how they turned the paper into Britain’s most influential tabloid. Claire Foy also co-stars.

    “Long before Fox News, click bait, and Truth Social; decades before Twitter, Facebook, Google (and) Only Fans, these (two) men created a new tabloid which against all the odds became the biggest selling newspaper in the world,” Boyle said in a statement. The paper, he added, “challenged the establishment and remade our world for the modern era.”

    Boyle said it was a huge honor to be selected, noting that, “I’ve been to the Biennale many times, but this is my baptism at the film festival.”

    “Ink” will be playing in competition at the 83rd edition of the festival, which kicks off on September 2. The full slate of films vying for the Golden Lion is expected to be revealed next week.

    The play opened in London in 2017, and went to Broadway in 2019, where it was nominated for, and won, multiple Tony Awards.

    “I started writing this way before Trump, way before Brexit,” Graham told The Associated Press in 2017. “But I knew I wanted to capture what was clearly in the air about populism.”


  • Ava DuVernay announces ’14th’ documentary on birthright amendment contested by Trump


    NEW YORK (AP) — Ava DuVernay announced Thursday that she has made a documentary for Netflix on the 14th Amendment, which gave liberty and rights to formerly enslaved people following the Civil War, and which has come under legal attack from President Donald Trump.

    Netflix said Thursday that it will release “14th” later this year. The film will mark a return to nonfiction for DuVernay, the filmmaker of “Selma” and “Origin,” and a follow-up to DuVernay’s 2016 film “13th,” her examination of the legacy of the 13th Amendment, which abolished slavery.

    The 14th Amendment has been a prominent target of Trump’s. On the first day of his second term, he signed an executive order that would have heavily restricted birthright citizenship as protected by the amendment. In June, the Supreme Court struck down Trump’s order by a 6-3 vote.

    The 14th Amendment, ratified in 1868 during Reconstruction states: “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside.” The constitutional amendment nullified the 1857 Supreme Court decision Dred Scott v. Sandford, which had held that those descended from slaves couldn’t be citizens.

    DuVernay said her film will detail how the 14th Amendment became “a permanent argument.” It will feature politicians, historians and cultural voices.

    “If ‘13th’ asked who gets caged, then ‘14th’ asks who gets counted,” DuVernay said in a statement. “This is not a film about the past tense of freedom. I’m not interested in asking you to look back. The film asks what kind of country is being written beneath our feet now … while we’re busy believing the stories we’ve all been told.”

    Chief Justice John Roberts, writing for the court, upheld the protections of the amendment, which makes a citizen of anyone born in the country, with very limited exceptions.

    “Citizenship, then and now, was the right to have rights — to freely participate in our political community. The Framers of the Fourteenth Amendment extended that promise to ‘every free-born person in this land,’” wrote Roberts. “We keep that promise today.”

    Trump has vowed to continue to contest the Supreme Court’s ruling. Following the decision, he wrote on Truth Social: “This miscarriage of justice will destroy America if they don’t change their absolutely insane decision.”


  • ‘Jurassic Park’ actor Sam Neill died from pneumonia, agent says


    WELLINGTON, New Zealand (AP) — Actor Sam Neill died from pneumonia and will be honored at a private family memorial at his New Zealand farm later, his agent told The Associated Press on Thursday.

    Neill’s family had earlier announced the actor known for “Jurassic Park,” “The Piano” and other films died Monday in Sydney.

    His agent Philip Grenz said he was providing more information after speaking with Neill’s family and following news reports “which contain inaccuracies and outright falsehoods,” he said.

    “Sam passed away from pneumonia,” Grenz said. “Prior to becoming sick, Sam had valiantly fought and beaten lymphoma through a new treatment called CAR-T therapy.”

    He added that Neill had filmed four projects “back-to-back” during the past year that are due to be released in the coming months.

    “As Sam was an intensely private man who loathed a fuss, his family will honor him with a private family memorial at his farm in New Zealand at a still-undetermined later date,” Grenz said.

    The New Zealand actor disclosed in 2023 that he had been diagnosed with angioimmunoblastic T-cell lymphoma, a rare type of non-Hodgkin lymphoma, and said in April this year that he was cancer-free. CAR-T therapy is a form of immunotherapy based on an individual’s T cells and is used for several types of blood cancer.

    His agent’s statement followed days of tributes to Neill from film industry colleagues who remembered him as a kind, witty and curious man.

    “You are so loved and will be sorely missed by us all,” director Taika Waititi, who directed Neill in 2016’s “Hunt for the Wilderpeople” — one of Neill’s best-loved films in New Zealand — wrote on Instagram on Wednesday.

    “Love you and see you soon, sweet Nigel,” Waititi wrote, referring to Neill’s birth name, which he told interviewers he had changed to Sam at school because there were too many Nigels in his class.

    “Sam was exceptionally collaborative,” said Steven Spielberg, who helmed the first “Jurassic Park” movie, in which Neill played paleontologist Alan Grant.

    “I adored making all the Jurassic movies with him,” Spielberg said in a statement. “Along with Laura Dern and Jeff Goldblum, we will always have our Jurassic family and Sam will never be forgotten by us or his many millions of fans around the world.”

    Neill was one of a host of actors and directors who achieved international fame after an explosion of Australian films that began in the late 1970s. In New Zealand, he has been mourned as a friendly, unassuming person who shunned celebrity and contributed to causes and community projects near his home, according to local news outlets.

    Neill was also a vintner and under his Two Paddocks brand, he produced pinot noir and riesling wines from his winery in the Central Otago region of New Zealand’s South Island.

    He is survived by his four children and eight grandchildren.


  • New York Times files motion to quash subpoenas served on journalists over Air Force One coverage


    WASHINGTON (AP) — The New York Times on Wednesday filed a motion to quash subpoenas that the Justice Department served on journalists who reported on security concerns involving the new, Qatari-gifted Air Force One, teeing up a significant court fight pitting press freedom against the the government’s ability to force reporters to identify sources.

    David McCraw, the newspaper’s senior vice president and deputy general counsel, accused the government of bringing the subpoenas in “bad faith to punish The Times for its coverage.”

    “They violate the constitutional rights of The Times and its journalists,” McCraw said in a statement. “We are going to court to defend our journalists’ rights to report freely on the administration and to provide the public with stories that matter.”

    The filing was made under seal in the Southern District of New York, where the journalists were summoned in subpoenas delivered last Friday to testify before a federal grand jury. The Times had said it expected five journalists to be subpoenaed; three were ultimately served.

    The subpoenas, delivered to reporters at their homes, marked a dramatic escalation of the Trump administration’s crackdown on media leaks that free press advocates swiftly condemned as a government effort to intimidate news organizations. It followed an FBI search earlier this year of a Washington Post reporter’s home and the seizure of her electronic devices.

    The new jet in question, a present from Qatar that Trump’s administration spent $400 million to retrofit and upgrade, recently entered service. But the Republican president used an older model Air Force One jet to leave a NATO summit in Turkey last week.

    The Times, citing anonymous sources, reported that the switch had come at the urging of the Secret Service and that the newer plane lacked some of the advanced security features of the older aircraft, including antimissile capabilities. On social media, Trump denied security concerns.

    The Justice Department has justified the subpoenas by saying that “to be clear, reporters are not the targets, those leaking classified information are.”

    “We value and appreciate the important role that the press plays in this country,” the department said after the Times reported it had received the subpoenas. “But DOJ also plays an important role to make sure that the people entrusted with our nation’s secrets do what they’re supposed to do with that information, which means not sharing classified information.”

    Asked about the issue at his Senate confirmation hearing Wednesday, acting Attorney General Todd Blanche said the Justice Department is “not targeting reporters,” describing them as “material witnesses” to a leak investigation.

    When Sen. Peter Welch, a Vermont Democrat, pointed out to Blanche that the department wants to ask the journalists who their sources were, Blanche replied, “No, the question we want to ask them is who provided them with classified national security information, which everybody in this body should want to protect.”

    The Justice Department over the years has developed, and revised, internal policies governing how it will respond to news media leaks.

    Though the department across presidential administrations has periodically seized the phone records of individual journalists in hopes of identifying sources for national security stories, it is extremely rare for the government to attempt to compel a reporter to reveal their sources before a grand jury.

    In April 2025, then-Attorney General Pam Bondi rescinded a policy from President Joe Biden’s Democratic administration that protected journalists from having their phone records secretly seized during leak investigations — a practice long decried by news organizations and press freedom groups. The moves again gave prosecutors the authority to use subpoenas, court orders and search warrants to hunt for government officials who make “unauthorized disclosures” to journalists.

    A memo Bondi issued said members of the press are “presumptively entitled to advance notice of such investigative activities,” and subpoenas are to be “narrowly drawn.” Warrants must also include “protocols designed to limit the scope of intrusion into potentially protected materials or newsgathering activities,” the memo stated.

    In January, FBI agents searched the home of Washington Post reporter Hannah Natanson, who has been covering Trump’s transformation of the federal government, as part of a leak investigation into a Pentagon contractor accused of taking home classified information.


  • George Santos’ next gig? Reality TV show contestant


    NEW YORK (AP) — George Santos has worn many hats: Swindler, congressman, prison inmate, podcast host. The obvious next gig? Reality TV show contestant.

    In September, Santos will appear on the fifth season of Fox’s “Special Forces: World’s Toughest Test,” a grueling contest where participants will be subjected to chemical gassing and other military themed challenges in a Malaysian jungle, the network announced Wednesday.

    “I took my fat behind off the coach and tried something new!,” Santos wrote in a post on X along with a promotional image of himself standing next to a tree with a stern expression on his face. “And it changed EVERYTHING! I can’t wait to share this experience with y’all!”

    He will go up against more than a dozen other contestants — including former NBA player Matt Barnes and actor Ruby Rose — in a show Fox has billed as the “ultimate test of physical, mental and emotional resilience.”

    Santos was elected to the House from New York in 2022 as a Republican, but he wound up serving less than a year in the office after it was revealed he had fabricated much of his life story. He was expelled from Congress while facing criminal charges over stealing from donors and his campaign, fraudulently collecting unemployment benefits and lying to Congress about his wealth.

    He pleaded guilty but had his sentence commuted by President Donald Trump after serving around 84 days in prison. He later tried to reboot his political career with another run for the House but quickly abandoned the run after raising no money.

    Last month, Kalshi, the online prediction marketplace, reported him to federal authorities after he boasted he would be going to Trump’s State of the Union address, then allegedly bet against his own attendance. That caused Polymarket, another online prediction platform where he was working in an influencer capacity, to end its paid relationship with him. Santos has said the allegation is “preposterous.”

    He did not immediately return a message seeking comment Wednesday.

    Among the challenges on Fox’s “Special Forces: World’s Toughest Test,” according to the network, were a claustrophobic search of an underground bunker and a supply load retrieval while suspended high above the jungle floor.


  • A horde of golden mini-Mozarts marks 270 years since the composer’s birth in Salzburg


    SALZBURG, Austria (AP) — Visitors to Wolfgang Amadeus Mozart’s hometown can see the composer — and his dog — in miniature as Salzburg celebrates the 270th anniversary of his birth. But they shouldn’t wait too long.

    The Mozarteum Foundation on Wednesday unveiled 300 gold-colored statuettes of Mozart, which are barely 50 centimeters (less than 20 inches) tall. They were designed by German concept artist Ottmar Hörl.

    Mozart was born on Jan. 27, 1756, in the Austrian city, where the Mozarteum Foundation offers concerts, maintains Mozart museums and supports research on him.

    “I didn’t want to do a monument of Mozart. There are already enough of these. But I wanted to show his human side, that he was a normal human being despite his genius,” Hörl told The Associated Press.

    To give the statues a human touch, Hörl depicted the composer with his favorite dog, Pimperl. Mozart and his family were known to take long walks with their dogs in the Mirabell Garden, next to where they lived.

    The mini-Mozarts populate not only the garden, but also Mozart’s former living quarters as well as several pavilions. In all, 400 statues were made, but only 300 are on display at present. The rest are being kept in reserve in case of theft.

    “Two already got stolen within the last few hours,” Linus Klumpner of the Mozarteum Foundation said. But the statues are meant to attract a broader range of visitors and get them hooked on Mozart’s Music.

    “You come here, maybe you see the small golden heads shimmering in the sun on the horizon. And people become curious,” Klumpner said. “And then a process begins which is very much in our interest. That is to bring new people in contact with Mozart.”

    For Hörl, the theft of his artworks in nothing new. At an installation in Bayreuth, Germany, a complete array of statues of Richard Wagner was stolen within 10 days.

    “That’s just the nature of public space. That means when you work as an artist in a public space you mustn’t complain about what is happening there,” Hörl said. “It ranges from destruction to theft. That’s just how it is.”

    The Mozart statues are scheduled to remain on display until Aug. 30. People who would like to own one but would prefer not to steal it can purchase one for 100 euros ($114) – while supplies last.

    Hörl is known for his sculptures made from polymer. In 2010 he displayed 10,000 plastic owls in Athens. A “Homage to Dürer” showcased oversized plastic copies of Albrecht Dürer’s hare at the Daegu art museum in South Korea.

    In 2009, German prosecutors decided against investigating Hörl over a series of golden garden gnomes doing the Hitler salute, under a law that forbids using insignia forbidden by the German constitution. Hörl himself intended the gnomes as satire against the Nazis’ ideology.


  • Latin and country surge in the US as more music is being streamed than ever before


    NEW YORK (AP) — Halfway through 2026, a few music, film and TV streaming trends have become clear, according to Luminate’s 2026 Midyear Report, which was released Wednesday.

    Notably, more music is being streamed than ever before, both in the U.S. and globally.

    In terms of genre: The combination of R&B/hip-hop remains on top in the U.S., but its dominance is being challenged by genre diversification, as other styles experience growth.

    Latin and country music are surging thanks to artists like Bad Bunny and Ella Langley. Certain AI-generated tracks are also growing in popularity.

    And in film and TV, Netflix continues its command in the U.S. in streams of original content.

    In its midyear report, Luminate, an industry data and analytics company, provides insight into changing behaviors across music listenership as well as TV and film viewing behaviors.

    Music streaming continues to climb

    Music streams continued to grow globally and stateside. Global on-demand audio streams reached 2.8 trillion in the first half of 2026 — up from 2.5 trillion during the same period last year, and 2.29 trillion in 2024.

    And in the U.S., on-demand audio song streams grew to 732.7 billion. That’s up from 696.6 billion in 2025 and 665.8 billion in 2024.

    R&B and hip-hop still rules, but competition nears

    A combination of R&B/hip-hop is still the most popular streaming genre in the U.S., accounting for nearly 1 in 4 on-demand audio streams. However, its dominance is being challenged. In the first half of 2026, R&B/hip-hop made up 30% of U.S. album-equivalent consumption, based on analysis of the Billboard 200. Compare that to 41% in 2023, and it shows a decline.

    “R&B/Hip-Hop remains a massive commercial force, but its historic dominance is leveling off as the streaming landscape diversifies. The genre was an early adopter of streaming, commanding nearly 30% of U.S. audio consumption by 2022, but the post-pandemic era has seen accelerated … growth from genres like Country and Latin,” wrote Jaime Marconette, Luminate’s vice president of music insights and industry relations in a statement to The Associated Press.

    He says R&B/hip-hop’s “standalone audio volume has dipped 1.7% so far in 2026 compared to last year. We aren’t seeing a collapse in popularity, but rather a shift toward a more balanced, multi-genre ecosystem where R&B/Hip-Hop’s profound creative influence is also seen in other styles.”

    Any concerns about R&B/hip-hop’s continued supremacy may be shortsighted. In the first half of 2026, the genres accounted for nearly 180.3 billion streams in the U.S., followed by rock with 137.2 billion, pop with 87.8 billion, country with 63.8 billion and Latin with 63 billion.

    Latin and country are drawing more listeners

    Latin music continues to grow in popularity in the U.S. That’s evidenced in a few different ways: First, Luminate found that nearly 1 in 10 streams in the U.S. was in Spanish for the first half 2026 — 9.4% of total streams.

    Secondly, English-language consumption fell to a new low of 87.1% — still the overwhelming majority but evidence of a diverse listening market.

    “Casual U.S. listenership of Latin music has hit an all-time high, with 54% — or more than one in two music listeners — now reporting that they engage with the genre,” said Marconette. “Latin music’s cultural footprint is rapidly widening far beyond its traditional core base into the broader American mainstream.”

    And globally, Latin music streams reached a new high — accounting for 363.2 billion streams in the first half of 2026, compared to 335.3 billion the previous year.

    Albums may be a good place to see the growth of both Latin and country in the U.S. The top albums of the year, so far, are Morgan Wallen’s “I’m the Problem” with 2.035 million album equivalent units, Ella Langley’s “Dandelion” with 1.638 million and Bad Bunny’s “Debí Tirar Más Fotos” with 1.543 million. (Both Wallen and Bad Bunny’s albums released early last year.)

    Marconette points to Langley as a prime example of country music’s growing audience — she’s at the forefront of an increasing group of “younger, streaming-forward” fans.

    A small number of AI-generated tracks are spiking

    And more may very well be on the way. Chill77, Unjaps and Mikeeysmind’s “Papaoutai (Afro Soul)” had 210.7 million streams in all countries except the U.S. in the first half of 2026. In the U.S., it accounted for 17.6 million streams.

    That’s followed by The Second Voice’s “Let Me Be,” which earned 75.6 million streams in all countries expect the U.S.; stateside, it earned 10.1 million streams.

    The most-streamed AI-generated song in the U.S. is country act Breaking Rust’s “Livin’ on Borrowed Time,” which accounted for 19 million streams. In all countries except the U.S., it earned 13.4 million streams.

    Previously, Breaking Rust had a song called “Walk My Walk” hit No. 1 on Billboard’s country digital song sales chart in November 2025. The vocal phrasing, melodic shape and stylistic DNA came from the Grammy-nominated country artist Blanco Brown, an artist who has worked with Britney Spears, Childish Gambino and Rihanna.

    Breaking Rust is an example of the kind of generative AI that has begun upending the music industry, often using models trained on real artists’ voices and styles without their knowledge.

    “A small number of breakout tracks at the head of the curve can drive temporary conversational and streaming spikes,” says Marconette. “At this stage, generative tools are actively transforming creative and production workflows, but individual AI-generated tracks have yet to make a profound, long-term impact on consumption behavior.”

    Netflix dominates in original film and TV streaming

    In the U.S., Netflix accounted for 57% of all original content viewing time, followed by Prime Video (11%), Hulu and Paramount (7% each), Peacock and Apple (5% each), HBO Max (4%) and Disney+ (2%), with 13.6 billion hours streamed in total. Original TV series are most popular, accounting for 11.5 billion hours of that total. Original movies make up the difference, accounting for 2.8 billion hours.

    The most streamed original films of 2026 in the U.S., so far, are all courtesy of Netflix: “The Crash” with 39.6 million estimated views, “The Rip” with 39.5 million and “Apex” with 37.3 million.

    When it comes to original series in the U.S., there’s a bit more competition. HBO Max’s “The Pitt” leads with 19.4 billion streams, followed by two Netflix titles: “The Lincoln Lawyer” with 16.9 billion and “Bridgerton” with 14 billion.

    Overwhelmingly, however, people in the U.S. are streaming library content (older, preexisting and licensed shows and movies) over original programming. Original TV accounted for 11.5 billion hours streamed in the first half of 2026, and original film raked in 2.1 billion. But library TV totaled 42.2 billion hours, and library film had 10.8 billion, according to Luminate.

    Luminate estimates there are nearly 19,000 library titles available on major streaming services compared to just 7,000 originals.


  • US negotiator Brett McGurk will release a book on the Hamas hostage crisis


    NEW YORK (AP) — A lead U.S. negotiator for the release of hundreds of people captured by Hamas during the Oct. 7, 2023, attacks in Israel will have a book out this fall.

    The Penguin Random House imprint Crown has scheduled Brett McGurk’s “Brink: Inside the Race to Free the October 7 Hostages” for Oct. 6, nearly three years to the day after the deadly Hamas siege that left more than 1,000 people dead and more than 200 taken captive.

    McGurk, 53, is a longtime Middle East adviser and diplomat who had already served under three presidents when he was appointed by President Joe Biden in 2023 to oversee hostage talks between Israel and Hamas. According to Crown, McGurk will describe his frantic efforts to balance the competing and seemingly intractable demands of the two sides, traveling worldwide in pursuit of an agreement.

    “On October 7, Hamas unleashed a devastating war and the largest hostage crisis in modern history,” McGurk said in a statement released Wednesday by Crown. “I wrote ‘Brink’ to bring readers inside the rooms as events unfolded in real time — from the Situation Room with hundreds of missiles in the air, to compounds across the Middle East where diplomacy teetered between breakthrough and collapse.”

    According to Crown, McGurk will also disclose details of a near-deal before Oct. 7 that would have normalized relations between Israel and Saudi Arabia and will remember his unlikely alliance with President Donald Trump appointee Steve Witkoff as they handled talks during the transition time between the administrations of Biden, a Democrat, and Trump, a Republican. The remaining surviving hostages were freed in October 2025.

    “’Brink’ details the bipartisan front they forged when it mattered most, ultimately securing a deal that would save lives,” the publisher’s announcement reads in part.


  • Biden will publish ‘Promise Me, America’ memoir after the November midterm elections


    NEW YORK (AP) — Former President Joe Biden will publish a memoir, “Promise Me, America,” which he says will touch upon everything from the economy to his decision to drop his bid for reelection.

    The memoir is scheduled to come out Nov. 17, publisher Little, Brown and Company told The Associated Press. The timing of the book — two weeks after midterm elections in which Democrats seek to regain control of Congress — could raise concerns within Biden’s party by putting him back into the spotlight.

    Democrats remain divided on Biden’s legacy, with many blaming his ill-fated determination to seek a second term for Republican President Donald Trump’s return to the White House. Leaders hope to keep the fall campaign focused on Trump and his record, and any leaks or promotional efforts before votes are cast could draw frustration.

    “’Promise Me, America’ is about the challenges we faced as a nation. It’s about the decisions I made and why I made them,” Biden said in a video statement accompanying Wednesday’s announcement. “It’s about why I chose to run for reelection and why I chose to step aside.”

    Reports of Biden’s book have circulated for more than a year, and the former president himself has referred to it during public remarks, appearing to suggest at one point that it would be released before November’s election.

    Biden, who will turn 84 three days after the publication of “Promise Me, America,” has long presented himself as an upholder of standards and traditions; presidential memoirs are one of them. With a handful of exceptions, modern presidents since Harry Truman in the 1950s have published books about their White House years. Like virtually all of his predecessors, Biden did not work on the book alone but was helped by a “small editorial team,” according to the publisher. Little, Brown declined to release financial details for ”Promise Me, America,” although presidents have usually reached deals worth at least seven figures.

    The book’s title echoes a 2017 memoir by Biden, “Promise Me, Dad,” which centered on the death of his son, Beau Biden.

    Vowing as a candidate to “restore the soul” of his country, Biden was sworn into office in the midst of the COVID-19 pandemic and in the aftermath of the Jan. 6, 2021, attack on the U.S. Capitol by Trump supporters seeking to stop his certification as president. Biden’s term was defined by a wide range of conflicts and achievements, from his handling of wars in Ukraine and the Middle East to the passage of ambitious infrastructure and economic aid bills. But many readers will likely want to know more about his health while president, including the disastrous debate in June 2024 against Trump that led to his giving up his reelection bid. Then-Vice President Kamala Harris, who ran instead, lost decisively to Trump.

    Former first lady Jill Biden wrote in her own book that her husband seemed so weak and disoriented during the debate that she feared he was having a stroke. In “View from the East Wing,” published in June, she noted that the White House had initially said he was suffering from a cold.

    “The biggest lesson for us, I think, was that if you don’t explain something well enough then the question won’t go away,” she wrote. “There was never a satisfying enough explanation offered for Joe’s debate performance, and a lot of people never got over it.”

    Biden was the oldest man to serve as president and his health was a source of speculation for much of his term; Biden and his White House advisers have faced intense criticism from Democrats and Republicans for allegedly concealing the extent of his problems. A notable book release from 2025, Jake Tapper’s and Alex Thompson’s “Original Sin,” was subtitled “President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again.”

    That year, Biden announced he had been diagnosed with prostate cancer.

    Biden’s previous books also include “Promises to Keep,” a campaign work published to boost his run for president in 2008, when Barack Obama was the eventual nominee and Biden his running mate. ”Promise Me, America” comes out during a year when nonfiction sales have declined and few political books have caught on, although recent bestsellers have included Vice President JD Vance’s “Communion” and an inside account of Trump’s second term, by New York Times reporters Maggie Haberman and Jonathan Swan, “Regime Change.”

    A Little, Brown spokesperson said that Biden plans to tour on behalf of the book and give interviews. In his video announcement, Biden said that many people had been asking him how he was doing.

    “I’ve been spending a lot of time with my family. I’m dealing with a cancer diagnosis, been getting treatment, and it’s going really well,” he said. “I want to thank all those who have offered their prayers and support and well-wishes. It’s meant the world to me and to Jill.”


  • Pat Oliphant, fearless Pulitzer-winning political cartoonist, dies at 90


    PHOENIX (AP) — Pat Oliphant, an influential political cartoonist known for creating caricatures of U.S. and world leaders, died Monday. He was 90.

    Oliphant died at his home in Santa Fe, New Mexico, from age-related issues, said his son, Grant Oliphant.

    A multidimensional artist who also created sculptures, lithographs and oil paintings, Oliphant was widely considered the most syndicated editorial cartoonist in the U.S. During the 1980s, his daily political cartoons appeared in more than 500 publications in the country and around the world.

    For over five decades, Oliphant’s work ridiculed powerful figures — from President Lyndon B. Johnson to Donald Trump — with a blunt and meticulous stroke. He drew Jimmy Carter with large teeth and lips, alluding to his background as a farmer and the cultural stereotype of adaptation to rural work, and depicted Ronald Reagan, whom he thought was uninterested in the suffering of the American people, with a cork in his ear.

    Those who knew Oliphant said his gift was to merge the shrewdness of an observer of the political scene with a witty sense of humor into art.

    “He redefined what it meant to be a political cartoonist and to be fearless in his work,” said Bill Banowsky, director of the documentary A Savage Art: The Life & Cartoons of Pat Oliphant. “His work has a fierce pursuit of bringing injustice to light. And he was very effective.”

    Oliphant tackled controversial subjects that were largely deemed unacceptable by the establishment at the time. That included the Catholic Church and its pedophilia scandals in 2002 and Israel’s offensive against Hamas in Gaza in 2008. But his ethnic caricatures also drew complaints about false stereotypes and racism from organizations like the Asian American Journalists Association and the American-Arab Anti-Discrimination Committee.

    Born in Adelaide, Australia, in 1935, Oliphant started as a copy desk aide at a local newspaper, where he discovered his interest in art while seeing a cartoonist at work. His first in-house cartoonist job was at The Advertiser in his hometown.

    “He decided cartooning could merge his interests in art and commentary,” Grant said. “He wanted to be the best in the world.”

    About a decade after he moved to the U.S., Oliphant joined The Denver Post in 1964 and won a Pulitzer Prize for editorial cartooning in 1967. He thought the prize committee had honored the weakest piece of work he’d submitted for consideration, and criticized the prize process itself afterward.

    He later joined The Washington Star and moved to Santa Fe in 2002.

    Oliphant began losing his eyesight due to glaucoma around the age of 80 and had to retire from professional cartoon work, Grant said. Still, he painted at home in Santa Fe.

    “He loved the creative ferment of Santa Fe. We had constant parties at his house far into the night with a wide range of thinkers, musicians and writers,” said Hampton Sides, a Santa Fe-based writer and friend of Oliphant. “He enjoyed the constant interplay of ideas.”

    With the current political environment, Grant said it seems society has lost the capacity to receive humor and debate and contrary opinions.

    “My father challenged the idea of the political establishment being sublimely serious as it is,” Grant said. “We really need that in today’s America.”